Magnet Theater Blog
Were so excited to announce the brand-new season of Conservatory Circuit is now open for applications! Whats Conservatory Circuit, you say? Why, its just like the regular Circuit, except its open only to students who have been accepted into Magnets Conservatory program (Level 5 and above). Its a really great way to work consistently with a team and coach as well as get more reps under your belt. We highly recommend it!
Application deadline: Friday, October 23rd at noon
Team announcements: Wednesday, October 28th
Shows: Fridays at 10pm; November 6th, 13th, 20th and December 4th, 11th, 18th
What are you waiting for? Check out the details and apply now!
Questions, thoughts, comments, or concerns can be directed to email@example.com.
Whoa, boy! Watch out now, because local southern gentleman and big juicy peach, KEVIN COBBS, sits down with host Louis Kornfeld on Episode #61 to talk about getting his start in Atlanta, being a musician, and his comedic love of stupidity. They talk about Kevin’s guides to New York, his experiences working for Second City, and what else, but being a college radio DJ. You can catch Kevin every Wednesday at Megawatt with The Music Industry and you ain’t gonna wanna miss this episode!
And the episode begins with a song of rebellion! Just kidding, folks. This episode starts off with Kevin talking about being from Atlanta, getting his start in comedy at Dads Garage, and moving to NYC in 2010. Although he thought New York was a nightmare when initially visiting, Kevin was still filled with wonder when he first moved here. Does he have a master plan for his career or does he just take things as they come? As Louis wades through questions related to career goals, he also finds that for Kevin, the creative process is all about collaboration.
They back up to talk once again about Kevin’s improv beginnings at Dads Garage in Atlanta and what the scene was like down there. We find out that, similar to Episode #60’s guest T.J. Mannix, Kevin was a graveyard-shift college radio DJ! Louis asks about Kevin & Jimmys Guide To New York and they discuss the awkwardness of doing comedy with the public. Where do Kevins comedic sensibilities come from and what’s he usually going for? Kevin answers these questions and talks about working with long-time buds Jimmy OConnell and Al King.
Kevin has done two stints with Second City cruise line casts and so he and Louis get into what that life is like. Most recently, Kevin was doing 11 shows a week, which was far more intense than his first time around. The busier schedule was more enjoyable, he says. Louis wants to know what was the difference Kevin saw between his two experiences and they discuss the advice of, You gotta be good even when youre not. Plus, so much is explained when we find out that Louis loves the Kardashians.
One thing is made clear, and that’s that Second City knows how to build a sketch show. Gaining such professional experience has helped Kevin become comfortable as a sketch director here at Magnet, where he has directed Wendigo and The Executives. Hear about Kevin’s approach to directing sketch and how he focuses on keeping a show moving.
Enjoy all of this, plus, we discover how far into his own future Kevin can see and we hear him speak briefly about his experiences writing for Sesame Street! Go Panthers!!!
- Al King
- Dad's Garage
- Jimmy O'Connell
- Kevin & Jimmy's Guide To New York
- Kevin Cobbs
- Louis Kornfeld
- magnet sketch teams
- magnet theater
- magnet theater podcast
- magnet training center
- new york
- new york city
- Second City
- Sesame Street
- sketch comedy
- The Executives
- The Music Industry
Musical improviser, gifted actor, and flat-out handsome man, T.J. MANNIX stops by the podcast to talk about pursuing his dreams in NYC, the craft of acting, and the upcoming New York Musical Improv Festival [NYMIF]. This is our 60th episode and we’re excited to share it with one of Magnet’s beloved instructors and long-time performers. T.J and host, Louis Kornfeld, discuss T.J.’s wide range of experience as an entertainer, everything from DJing for college radio to getting the right take on Law & Order, and of course, Louis opines on NYC’s romantic appeal. Give it a listen, kiddos!
Hear about T.J.’s time spent as a middle-of-the-night college radio DJ and about how Louis didnt start listening to music until college. Find out what Louis first two cassette tapes were and what songs kept T.J. connected to English while studying abroad in Germany. Plus, Louis talks about his years in “local local broadcasting” on Staten Island.
T.J. moved to NYC in 1997 from North Carolina, where he had lived for a few years. He was working for Blockbuster Video and acting on the side, but was finally convinced by visiting actors from New York to give his dream a shot. He subsequently moved to NYC and got a job at the Jekyll & Hyde Club, which he explains was a very different place when he worked there. He talks all about all the fun the staff had and what it was like having it as his first gig in New York. Louis gives his thoughts on surveys, which we know you want to hear.
It’s been about 10 or 11 years now that T.J. has been a performer without a “day job,” so Louis wants to know, “What is it like to be a working actor?” Amongst the advice T.J. bestows, he says youve got to “9-to-5 it” because youre the CEO of your own company. He gets into the life of a working actor and he and Louis end up disucussing NYC neighborhood culture. Next, Louis wants to know, “Whats the strangest job you’ve had in recent memory?” You’ll get to hear all about that, but [spoiler alert] it wasnt playing Santa Claus at Radio City Music Hall, but he talks about that fun experience as well, even giving away some Rockettes stage secrets.
Without a doubt, T.J. loves the process of acting. He talks about learning on your feet as an actor and tells of his experience working on Law & Order: SVU. He embraces and cherishes the challenge of just about any acting job and recognizes both the strengths and weaknesses in different kinds of actor training. He and Louis talk about small moments on stage and dealing with auditions. Plus, T.J. gives a great tip for playing villains.
Finally, the episode concludes with a discussion of the upcoming 7th Annual NYMIF, Oct 15-18 at Magnet Theater. Working with co-producers Robin Rothman and Michael Lutton, the festival is in its 7th year and has 215 performers coming to the stage. T.J. talks about what the festival has meant to the musical improv community and he shouts out some returning favorites that hes looking forward to seeing!
- Jekyll & Hyde Club
- Law & Order
- Louis Kornfeld
- magnet theater
- magnet theater podcast
- magnet training center
- Michael Lutton
- musical improv
- musical theater
- new york
- new york city
- new york musical improv festival
- NY Film Academy
- Radio City Music Hall
- Robin Rothman
- t.j. mannix
- TJ Mannix
- working actor
Over the course of its first three seasons, the Magnet Video Lab has established itself as a reliable creator of quality comedy video content. It has produced three successful shows at the Theater and over 30 unique videos available online, many of which feature Magnet Theater performers. Now, it’s ramping up for Season Four!
How does it work?
The Video Lab is organized into small teams of approximately 8 members each, similar to improv teams or sketch teams. The groups will consist of members who can do several of the following write, act, direct, DP, edit, produce, lighting, sound, graphics/animation. While there will be dedicated production staff members on a given team, whose job is primarily to DP/run lighting/sound/edit/etc., every team member is encouraged to learn every job.
As team members become more proficient in each skill, the production workload will be more evenly shared, and the quality and quantity of the team’s videos will increase. Each team will be assigned an Executive Director who will serve a variety of functions, including helping decide which scripts to produce, giving notes on scripts and rough edits, helping to set production schedules, and communicating with Magnet administration.
How do I apply? How do I find out more?
Join us for an information session: Wednesday, October 14th, 6pm at the Magnet Theater Training Center.
Other questions? Email: firstname.lastname@example.org
NOW HIRING: HOUSE MANAGER. Want to be a part of the Magnet Theater staff? Want a part-time job full of fun and laughs? Apply to be a House Manager! We are currently taking applications for a part time House Manager to work at the Magnet Theater 3-4 nights a week. Applicants must be organized, detail oriented, and personable. Theater experience a plus. If interested, please email your resume and pay requirements to Abby Russell: email@example.com and Quinton Loder: firstname.lastname@example.org. Thank you!
New Team Captain
New Team Tennille
Step right up and listen to Episode #59 of our show with veteran performer, beloved instructor, and resident clown, ALAN FESSENDEN. Alan joins host Louis Kornfeld to talk about clowning, theater, nervousness, and of course, a deep dive into improv philosophy. It’s always great to hear two seasoned performers discuss the ins-and-outs of improvising and this episode is no exception!
Louis begins the interview by asking about Alan’s background in clowning. Though he says that blackmail got him to take his first clown class, Alan soon found himself very interested in the process of finding one’s own clown and how performers can magnify certain characteristics of themselves for use in clowning. Louis asks him to describe what a clown show might look like and we get to hear Alans clown Bartholomew say vagina several times. Clowning has helped Alan open up a particular path of communication within himself that informs all performance he now does.
Getting into his background before improv and comedy work, Alan tells us of going to school for theater and trying to forget that he once did musical theater. He’s come around to appreciate the latter at this point in life, which causes Louis to opine that dismissing any type of genre or show isnt any good for us. These vets talk about the arc of doing your first shows, filled with excitement, to the hard work of getting good, and then becoming an expert. Despite his experience, Louis like to always feel a little bit lost and confused. Similarly, Alan likes the first time he runs an exercise with a class or team, because hes exploring it with them, rather than simply handing something off to a group.
Hear Louis and Alan talk about nervousness and fear before and during shows!
Louis gets to talking about how Alan improvises and engages with the audience, particularly within Hello Laser. Describing his own development, Alan feels like he had a great freedom of play for a while, then became complacent, and now he fears losing it. They debate relaxation versus putting forth effort in improv and Louis shares with us that he feels tight if he finds his body going for laughs. There’s a nice bit about exploring and being playful even within scenes where you know where youre trying to get to and Alan talks about eating cake.
Plus, Alan shares great enthusiasm for Louis thoughts on “Yes, And” and his habit of playing shows with a secret. They talk about experiencing life and moments, and Alan worries that maybe he doesnt teach comedy, just moments. While it’s good to know that something is funny, he wants to know, can it be real? They also talk a lot about finding truth and being challenged, which is something that theater is perhaps more readily suited to do than improv.
Finally, Louis and Alan touch on the ability to laugh at who we are and the difficulty of being good people. How can you be a part of the problem even when youre trying to fix it?
The Magnet Theater Podcast triumphantly returns from a late-summer respite with a glorious episode featuring Magnet performer, gamer, Training Center House Manager, and boy made of metal, PAT MAY. He sits down with host Louis Kornfeld for a sweaty conversation all about going to comedy camp, his approach to improv scenes, and how he seeks to create shows that are truly for the audience. He also discusses writing and performing sketch comedy, TV Party Tonight, and his incessant self-deprecation.
Louis begins this episode by asking Pat about his summers spent at Bucks Rock Performing & Creative Arts Camp and doing comedy for the first time at age 16. At Buck’s Rock, Pat met a lot of folks now in the comedy world like Rebecca Drysdale, Louie Pearlman, Griffin Newman, and Sam Rogal. He grew up in Hastings-on-Hudson, which allowed him to do some open mics in NYC as a teenager, but the stand-up environment soon turned him off. Pat believes that the open mics he went to were like YouTube commenters in a circle jerk, which is a beautiful analogy.
It didn’t sit well with him that people simply wanted to be funny, or simply to be funny to themselves. When performing or putting up a show, Pat always tries to think: “What would make someone get off their couch and come out to the theater?” He loves to make things that people genuinely enjoy. Pat tells of a recent show he put up to which zero people showed up and gets into the topic of failure. Even on his team Metal Boy, which is a sucessful team, Pat knows that hes still going to have fuck ups. It can be frustrating to know that youre not in control of the whole show or team, but part of that is also whats exciting about improv.
Talking about improv mechanics, Pat has never really cared about labeling from inside the scene. Its all about the present dynamic for him. “Who cares about labeling?” he asks. “Just improv nerds!” What does Pat think about before a show or do to prepare for it? To describe his style, Pat says that hes not a thinker, which you might have already known if you saw his recent show where he repeatedly fell out of a window. Among the different members of Metal Boy, Louis takes particular interest in exploring Pats relationship with Sam Rogal, his frequent collaborate, former roommate, and longtime friend. Louis observes that Sam doesnt let things go and Pat wont give up on any small thing hes doing, which often allows them to continue scenes forever. Breaking the rules of improv is one of Pats most favorite things. Louis thinks that if a team says theyre going to follow the fun that night, theyre doomed to fail. Pat weighs in on The Spokane as a form. Spoiler alert: He doesn’t like it.
Paying him a compliment, Louis says that Pats characters are always very clear and have obvious wants. What kinds of choices really click with Pat? He relates to a lot of the teaching he received from Louis and Rachel Hamilton.
Pat talks about his farts. For real. He also burps a lot. Powering through his bodily functions, Pat and Louis discuss being in the moment and having needs, wants, and drives in scenes. Both guys comment on big characters. Plus, you will learn Pat Mays improv cure-all. Its really dumb!
Louis finally cuts through the heavy self-deprecation and asks Pat why he shits on himself all the time? Laughing at being called out, Pat claims he’s just trying to check himself and reign in his ego. He holds himself to a high standard and needs to be reminded of that.
Finally, they talk about Pat’s show TV Party Tonight and how he loves to create shows that the audience can feel a part of. TV Party Tonight is a show where Pat, his friends, and special guests watch TV and make jokes, talk to the audience, and give out free beers. For real though, Pat cannot stop burping and farting. Louis asks about translating the experience of hanging out with friends to a show meant for an audience. Pay says that performing can often be selfish, but a show like this is one that the audience too can get involved in. He really wants to make shows for other people.
Plus, these important topics:
- Do you ever feel truly great about what youre doing in comedy? Or is ownership the best we can do?
- Pat talks about Sketch Jesus!
- Louis vamps a whole lot!
The Magnet Theater is pleased to announce the new teams and additions for the fall 2015 season of Megawatt, debuting this Wednesday, September 16th at 7pm, 8pm, 9pm and 10pm. We hope to see you there.
New Team Sigma
New Team Theta
New Team Delta
Were so excited to announce that auditions for the next season of Musical Megawatt will be held on Saturday, September 26th from 6:30-10:30pm at the Magnet Training Center. Callbacks will be held Sunday, September 27th.
To schedule an audition time, please fill out this form. Well do our best to accommodate everyones schedules, but please understand that we cant guarantee anyone a particular audition time.
Applications must be received by Wednesday, September 16th. Emails with audition slots will be sent on Friday, September 18th.
Anyone who has completed Musical Improv Level 3 at Magnet Theater is eligible to audition.
To find out more information and to get an audition slot, please follow THIS LINK!
We look forward to seeing you at auditions!