10% More Yourself

Newsletter Wednesday June 24, 2026, 3:41am - by seantaylor

Congrats to new Musical Megawatt lineup, announcing auditions for Megawatt, apply now to write/audition for Livewire Sketch Teams, get your Magnet hoodie here, Join us at the 2026 NYC Pride March, take part in a mixer! New offerings with Jason Farr, Dennis Pacheco, Jamie Rivera, Michael Lutton, Louis Kornfeld, Jacob Horn, Andy Wiggens, Rick Andrews, Amanda Xeller, Adam Wade, Summer Intensives and new Electives! Ask an Improviser with Timothy Agius.

MAGNET THEATER
Congrats to the new Musical Megawatt lineup! Catch all the teams every Thursday!
July 8th is the last day to sign up to audition for Megawatt. Visit here for more info
July 22nd is the last day to sign up to write and/or audition for the Fall Livewire season. Visit here for more info
Get your official Magnet Theater hoodie now!
Join us at the 2026 Pride March! Register ASAP to walk alongside fellow Magnet folks this Sunday!
Get some reps at the weekly Wednesday mixer or the monthly Musical mixer! Free for Magnet students
New Offerings
Jason Farr
Improv Level One
Tuesdays (7/21) @8pm
Dennis Pacheco
Improv Level One
Wednesdays (7/29) @6pm
Jamie Rivera
Improv Level Two
Mondays (7/20) @6pm
Michael Lutton
Improv Level Two
Thursdays (7/23) @6pm
Louis Kornfeld
Improv Level Three
Wednesdays (7/8) @6pm

Improv Level Three
Wednesdays (7/8) @8pm

Jacob Horn and Andy Wiggins
Musical Improv Level Two
Tuesdays (7/21) @7pm
Rick Andrews
Longer Scenes
Fridays (7/31) @1pm
Amanda Xeller
Character Writing and Performance
Tuesdays (7/14) @6:30pm
Adam Wade
Storytelling Level One
Tuesdays (7/7) @6:30pm

3 Day Storytelling Level 1 Intensive
Wed-Fri (7/22) @10am

Summer Intensives
Musical Improv Levels 1-3
Mon-Fri (July) @11:30am
Summer Intensives
Improv Levels 1-3
Mon-Fri (August) @11:30am
And visit our Electives page often to see new offerings regularly
Ask an Improviser
"What is the most important improv lesson you ever learned?"
Performer Timothy Agius
Magnet Theater
"Just be yourself! But like 10% more yourself.

I’m mostly positive I was taught this by Gavin Speiller in a UCB 401 class: You just have to be yourself in improv. But like... 10% more yourself. All your thoughts, all your opinions and feelings, all your experiences, they’re more than enough to make a scene funny and authentic and compelling. You don’t have to invent or fake anything. You can just be you and it will work!

But this is THEATER, so you gotta dial it up a bit. Say the thing you’d stop yourself from saying in normal conversation. Give the opinion you know would raise an eyebrow. It doesn’t have to be anything wild or problematic! Just care a bit more than you usually would, volunteer a bit more, feel and emote and react a bit more intensely. Imagine you’ve been cast as yourself in a play about you. Play that version of you. Doesn’t have to be a lot. Just 10% more.

In real life, we’re all trying to fit in and get by and go unnoticed. We aren’t trying to do that in improv! We want to be called out, we want to get into arguments, we want to make things worse and look like a fool. Improv scenes are powered by people caring more than they should, whether it’s about a relationship or a thing or an activity. It’s being self-righteous, positively or negatively, and refusing to back down. That’s not so different from how we justify choices and feelings to ourselves in real life. You just have to show your work a bit more on stage.

What I love about this approach to improv is it means you can go really far just by listening to your own voice. Before you go on stage, take a minute to simply reflect on your day... what happened, who you talked to and what about. Moments that made you happy, moments that made you cringe, moments where someone WRONGED you and you will NEVER FORGIVE them. If something comes up in a scene that reminds you of a real opinion or emotion or experience you’ve had, use that feeling! Have you ever noticed that almost every Park Bench of Truth scene is fun to watch?

I think this can also help us get past being passive in scenes, or not making clear choices, kicking the can down the road by negotiating the thing with your scene partner. When you dial yourself up a bit, you’re hopefully also getting more engaged with the scene and your partner, making more decisions and finding ways to play them actively. Be personal, be impulsive. Take your hands off the steering wheel, be yourself in the scene, and let go just a bit.

Doesn’t have to be a lot. Just like 10%."

Catch Tim on stage at the Magnet on Wednesdays with his ensemble Macbeth (“the Scottish Improv Team”) and infrequently co-guest hosting the Magnet Mixer alongside Sara Parelhoff with the indie duo Mothra, Queen of the Monsters.