Newsletter Tuesday August 12, 2025, 3:06am - by seantaylor
Congrats to new Livewire lineup, announcing First Fridays at the Magnet, We Want You!...to earn credit for classes through internships, new offerings from Dennis Pacheco, Jason Farr, Michael Lutton, Rick Andrews, Elana Fishbein, Louis Kornfeld, Peter McNerney, Jacob Horn, Ammon Taylor, Nat Silverman, Adam Wade, and Tim Martin. Ask an improviser with Ro Rovito.
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Congrats to new Livewire lineups. Catch all the new teams debuting on Tuesday (9/16) starting at 7pm |
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Starting in August, on the first Friday of each month the 7:30pm and 9:00pm shows at the Magnet Theater will be FREE for anyone who comes in person to the box office! Click here for more info. |
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We want you!... to earn credit toward classes. Learn about our internships program today! |
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Ask an Improviser
"What is the most important improv lesson you ever learned?" |
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Performer Ro Rovito
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"When you're struggling to find the fun, know the Connection and the Context of the scene. Every improv scene is about relationships, right? So know who you and your scene partner are to each other: What do you want or need from one another, and how do you try to get those things from one another? When you know how to affect your scene partner, that gives you the freedom to be affected by them in turn. Additionally, know why the scene is happening right here, right now, as opposed to any other location and moment in time. What happened in these characters' lives that led them to this moment?
This can be simplified even further to "Who are we and why are we here?" But, it's helpful to think of things in the framework of Context and Connection because they help you to think of your character in the scene as a person with a life and a history, and not just as a vehicle for jokes. When you think of your characters this way, the comedy will come much more quickly and easily than you realize. They're just as effective to use in premise-based scenes as they are in relationship-based scenes. That's the magic of them. In relationship-based scenes, almost everything revolves around these ideas. They're the core tenets of what makes those scenes compelling. In premise-based scenes, they are essential to resting the "game" and are opportunities to make the next game move hit even harder when you come back to it. It's kind of like eating your vegetables before you have dessert. Or another metaphor: every house is built on top of a foundation, and these tools will help you build the rock-solid foundation upon which you'll inevitably make a funny-ass house."
Check out Ro on stage at the Magnet on Wednesdays at Megawatt with their ensemble KRANG or on Livewire with Money & Things!
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