Posts Tagged ‘trike’
This Saturday, February 10th, is the 10-year anniversary of Peter McNerney and Nick Kanellis performing together as an improv duo! Originally called Brother Bear, the duo went on to form multiple standout ensembles before settling in as the seamless, high-energy, multi-character improv duo we now know and love. As New York City’s premier improv duo, they’ve received some pretty incredible reviews and press mentions. The New York Times calls Trike, “consistently complex, imaginative improv,” that is “reliably one of the best improv performances in the city.” Splitsider.com says that Trike’s “fantastic late night show is upbeat and impressively layered improv that is always worth checking out,” and in the “Splitsider Guide to NYC Comedy Scene,” Trike was named one of eight “Best Weekly Shows.” TimeOut New York declares Trike a “Critic’s Pick” that “melds playful physical transformation and careful scene work in a weekly show that delivers an impressively quick and detailed overlap of events in its conclusion.”
That’s a lot of praise for two guys making up everything in the moment. But what improv magic make a Trike show so unique? Trike has no scene breaks. You won’t hear an audience clap during transitions at a Trike show, because the next scene has already begun. The incredible balance between relatable, heartfelt characters and kinetic, abstract absurdity is like none other. By the end of a Trike show, every scene has proven itself essential to the whole. There’s always a reason these seemingly random collection of scenes find themselves in the same performance. Instead of one trying to interpret the other’s intentions, like a puzzle with only one solution, Peter and Nick see each other as inkblots, eager to be interpreted by the other’s intuition. This creates the illusion of foresight and a feeling that one can read the other’s mind. Plus, they’re pretty good friends. That helps too.
TIMELINE OF TRIKE!
– Peter & Nick attended Northwestern University together, where in 2003 Peter cast and coached Nick in his first long form improv group.
– Peter moved to NYC in 2005 just after the opening of Magnet Theater. Nick joined two years later.
– On February 10th, 2008 – their original duo (Brother Bear) premiered at the Magnet duo show, Ampers&nd.
– They soon launched Statues of Liberty with fellow NU alumni Russ Armstrong and Chris Hejl and performed 77 shows together at the Magnet.
– Trike, the trio, began October 2009 w/ Leslie Korein
– 80 shows later, Leslie moved to LA
– Trike, the duo, began May 2011 and has since done 301 shows on Saturday nights at Magnet.
– Together Nick and Peter have performed in 460 shows.
Come see this incredible duo celebrate their 10th anniversary this Saturday, February 10th, at 9 PM. It’s gonna be a wild one.
Our old pal George Basil (HBO’s Crashing, TBS’ Wrecked, Netflix’s Flaked) returns to New York this week to take on two of Magnet’s greatest improv duos: Kornfeld & Andrews and Trike! We sat down with George to talk about his work in television, his passion for improv, and his favorite spots to return to in NYC.
MAGNET: What are some current and upcoming projects you’re pumped about?
GB: Im excited for a couple things coming up. One is an animated show that some friends are making, and Ill be the voice of a centaur (dream come true), and the other is a series Im developing about a single dad and his cool kid titled Rad Dad.
M: You’ve got some improv shows coming up at Magnet with Kornfeld & Andrews and Trike what excites you about doing improv? What keeps you coming back?
GB: The same thing that excites me about playing blackjack or craps is the thing that excites me about improv: the total unknown. No matter how good you think you are, sometimes the earths rotation has got it out for you. What keeps me coming back? The Magnet will always feel like my home.
M: Between your characters on Crashing, Flaked, and Wrecked – which is most similar to you?
GB: Probably Lief from Crashing. Hes impulsive but finds different philosophies he can use as a way to justify his sometimes irresponsible actions. I do that shit.
M: Whos your favorite improviser and why?
GB: Dan Bakkhedal, for sure. I used to watch him whiz mentally around a stage and it didnt matter who his scene partner was, he totally listened to them and supported every move they made. I could watch that man do anything.
M: What are you most excited about doing during your time back in NY?
GB: Aside from the rad shows at Magnet, I’m always stoked to revisit my old neighborhood in Brooklyn and reminisce through places I used to eat. Even just walking the same streets that took me to the train gets me all excited. Mostly excited for the shows though. It’s been too long.
George Basil joins Trike this Saturday, August 5th at 9 pm! You can also see him with Kornfeld & Andrews this Sunday, August 6th at 7:30 pm!
On this week’s episode of the podcast, we’ve got Julia Hynes who performs with Junior Varsity, The Stank, and Sad Kids. A founding member of long-running Megawatt team, BRICK, Julia talks to host Louis Kornfeld about her improv development, being “good at school,” and the freedom of improvising with an all-female team. We’re taking next week off, so we’ve made sure this one will tide you over!
Louis begins this interview by asking Julia about what it’s like to go from forming and being on BRICK for four years to joining a very established team in Junior Varsity (JV). One of the amusing things, she notes, is stepping into JV’s established ways of communicating with each other. Group email threads aside, Louis wants to know about Julia’s own differences in play between the two teams. She says that on BRICK she was a big editor and now with JV, shes not as concerned with that task. Julia also describes a big improv lesson that came during her early days of BRICK which she has always kept in mind: Remember to make it feel honest and real.
Between the end of BRICK and when she joined JV, Julia was able to take some time off from performing on a weekly show. Louis talks to her about how nice it was to have the chance to get away from the theater for a bit. She’s a full time school teacher, so the additional time in her evening schedule was appreciated, as was the ability to step away from the pressures that can exist at a theater. Between her own shows and those of her husband, Nick Kanellis, it was starting to feel like she had to be at the theater all of the time. Since coming back to a weekly show, she says that its really on her terms that shes there and, of course, it helps to be doing a show that shes proud of.
Julia’s interest in improv began in college at Penn State, but she initially pursued academia after graduating. Eventually, she moved to NYC because a lot of her Penn State comedy friends were living there and doing improv at UCB. On a recommendation from a friend, she ended up taking Level 1 at Magnet with Tara Copeland and loved it. As a student, Julia says that she didnt go to many shows initially because she was intimidated. It wasn’t until around Level 4, when she met some future members of BRICK, that she began to get more fully involved in the community. To that end, Louis asks her about how long it took to settle into “being an improviser” and declaring that as an identity. Though she said that was tough at first, because she knew other improvisers who had been doing it longer and perhaps took it more seriously, she eventually got over that fear of judgement.
Julia says she’s at a stage in her life where shes evaluating, What do I actually want and why do I want it? This leads Louis to discuss finally facing our mortality after the age of 30 and how that change from “I’ve got plenty of time” to “time is running out” feels. Life is already happening, he says, which seems to cause him alternating feelings of crippling anxiety and a cool calm sense of acceptance.
Speaking of “who she is,” Julia is a full-time English as a Second Language 5th Grade Specialist in New York City who just finished her 8th year of teaching. Since high school, she was someone who wanted to make a difference in some way. Initially, went into Womens Studies and felt she could make a difference through that field in the world of academia, but then found the cracks in that plan and decided to be a teacher in NYC. Since making the change, Julia feels like shes making a bigger difference, especially in the last year, during which she feels she really started to come into her own as a teacher. Louis nearly shares the zen parable of the empty cup and also horribly misquotes Joe Bill, saying, in improv any class “…there are givers, takers, and prove-ers.” Everyone agrees that it much more difficult to teach the prove-ers.
Speaking more about teaching and class, Julia claims that she’s always been “good at school,” which is something that Louis has never really heard. For Louis, in adolescence, school became the straight man that he played against and he found it difficult to excel. As opposed to Louis’ oppositional experience, Julia says she had a good rapport with teachers and a family who encouraged her to take school seriously. And though she admits that she was not good at science, which she avoided, the rest just came easy to her. Louis goes further, saying that he had an aggressively contrarian approach to school, but Julia didnt start feeling like that at all until college. They discuss the importance of having teachers that check in with you and care about teaching. They then talk about Julia’s own teaching methods and how she’s had to add more structure to her practices over the years and be less chilled-out than when she first started. What does it take to control a room of 5th graders? She enjoys finding the balance between making the kids laugh and having them get down to business.
Louis just has to ask, do Julia and Nick go to the zoo and look at animals together? For those of you who don’t watch Trike frequently, Nick Kanellis is really into animals and animal behavior.
Circling back to this idea of being surrounded by guys who quickly identified as comedians, Louis wants to know how that has influenced her, especially in an improv world that still has a male majority? While she was comfortable always being the one girl hanging out with the comedy guys in college, she says that it felt good having female teachers at Magnet and then being put on BRICK with strong female players Amie Roe and Fiona Bradford. Many of the improv moments that have felt the best, she says, have been a lot of the all-female shows that shes gotten to do, like We Might Just Kiss, which brings together women of all skill levels to play with each other. Julia finds it very hard to explain the feeling when, on a nearly all-male cast, something she says isnt given the space she hopes for. The feeling of ownership of the stage is just very different with gender taken out of the equation. Louis admits that maybe cast diversity can hamper group mind.
Louis tries to avoid asking about the difference between playing with an all-female show versus a mixed-cast show, but he asks anyway! Julia says that the biggest difference is, Whatever I say is going to be just embraced in a way that is beyond what happens normally. She also credits the women she plays with. On her duo Sad Kids, she notes that partner Beth Newell has a way of molding whatever Julia says into a beautiful game. On The Stank, they’re all seasoned improvisers, strong players, positively minded, and nonjudgemental all of which goes a long ways. Julia goes further to says that, even when the men on a team are great, theres just something there that doesnt quite feel the same. Theres a added sense of pressure to be the token female, which then can inhibit how she plays. There’s a feeling as if she has to represent for all women. Relieving that pressure opens up more freedom of play.
Finally, Louis and Julia discuss playing real people from their lives and pantomiming objects that they actually own in order to make scenes feel more real to them. Louis is really taken with the idea of the original improvised theater companies, which viewed improv as an opportunity to show people what we know and who we are. The people performing are the people creating the art, so it showcases them in a way that other formats maybe cant. He finds it exhausting simply to engineer comedy night in and night out without getting to be himself.
But really, finally, Louis asks the hard-hitting question: How cuddly is Nick Kanellis???
Magnet Theater recently chatted with Beth Newell, one of the creators of Reductress.com, an online satirical news site thats been called The Onion for women. Beth is also Managing Director of Magnet Theater’s Sketch Teams and currently performs in the improv duo Sad Kids. The conversation was mostly about shoes and purses, but Magnet managed to shift the conversation to comedy, the transcript of what followed is below.
MT: Reductress.com is a very smart and funny. I loved the ad for Vagina Whitening Tampons. And your coverage of New York Fashion Week.
BN: Thanks. We did some videos that got passed around, which was fun.
MT: And youve tapped into a lot of talent in the Magnet community to help, which is great.
BN: Thanks. There are a lot of funny women with good ideas and a lot of sharp comedy skills at Magnet.
MT: Is Reductress.com run by mostly women?
BN: Yes, it is. Its run by women. There are some men involved, too. Were not actively avoiding using men, but since our playground is womens media, women have a unique perspective that more directly serves our point of view.
MT: So basically, ‘no dudes is what youre saying?
BN: No. But because we make fun of the way the media speaks to women and its presumptions about the way women think, its natural for women to be more equipped at exposing the comedy targets.
MT: So no dudes. I get it. Moving on-
Time Out NY chatted with Magnet Theater’s Trike (Peter McNerney & Nick Kanellis) for their 2013 Comedy Glossary. The list includes stand-up and improv words you probably didn’t know existed. Trike described the ins and outs of improv and explained some of the forms most confusing terms. Check the Article out HERE!
If you’re interested in catching Trike at Magnet, catch them every Saturday at 10:30pm. Reserve Tickets HERE!
Congrats to Magnet performer Peter McNerney (Trike) on ‘Stuff You Should Know’, now airing on The Science Channel! The show takes place in The How Stuff Works office, and everyone in the office are podcasters. Peter plays Marcus, a conspiracy theory podcaster. He’s skeptical, cynical and assumes the worst in every situation. Check out ‘Stuff You Should Know’ on iTunes, and keep an eye out for Peter’s most recent episode, ‘Trust No One’.
You can see Peter in a Burger King commercial now airing on Comedy Central and performing Saturday’s at 10:30 with Trike.
The members of Trike hanging out on the set of The Daily Show! See Trike this Saturday at 10PM, this is their FINAL show as Leslie Korein will be moving to LA in the near future.
Trike is Nick Kanellis, Peter McNerney and Leslie Korein!
Many Magnet Theater groups are representing at the Philadelphia Improv Festival this weekend. If you are in the area you will not want to miss these shows!