Posts Tagged ‘peter mcnerney’

Wednesday February 7, 2018, 10:50am - by Magnet Theater

This Saturday, February 10th, is the 10-year anniversary of Peter McNerney and Nick Kanellis performing together as an improv duo! Originally called Brother Bear, the duo went on to form multiple standout ensembles before settling in as the seamless, high-energy, multi-character improv duo we now know and love. As New York City’s premier improv duo, they’ve received some pretty incredible reviews and press mentions. The New York Times calls Trike, “consistently complex, imaginative improv,” that is “reliably one of the best improv performances in the city.” Splitsider.com says that Trike’s “fantastic late night show is upbeat and impressively layered improv that is always worth checking out,” and in the “Splitsider Guide to NYC Comedy Scene,” Trike was named one of eight “Best Weekly Shows.” TimeOut New York declares Trike a “Critic’s Pick” that “melds playful physical transformation and careful scene work in a weekly show that delivers an impressively quick and detailed overlap of events in its conclusion.”

That’s a lot of praise for two guys making up everything in the moment. But what improv magic make a Trike show so unique? Trike has no scene breaks. You won’t hear an audience clap during transitions at a Trike show, because the next scene has already begun. The incredible balance between relatable, heartfelt characters and kinetic, abstract absurdity is like none other. By the end of a Trike show, every scene has proven itself essential to the whole. There’s always a reason these seemingly random collection of scenes find themselves in the same performance. Instead of one trying to interpret the other’s intentions, like a puzzle with only one solution, Peter and Nick see each other as inkblots, eager to be interpreted by the other’s intuition. This creates the illusion of foresight and a feeling that one can read the other’s mind. Plus, they’re pretty good friends. That helps too.

TIMELINE OF TRIKE!

– Peter & Nick attended Northwestern University together, where in 2003 Peter cast and coached Nick in his first long form improv group.
– Peter moved to NYC in 2005 just after the opening of Magnet Theater. Nick joined two years later.
– On February 10th, 2008 – their original duo (Brother Bear) premiered at the Magnet duo show, Ampers&nd.
– They soon launched Statues of Liberty with fellow NU alumni Russ Armstrong and Chris Hejl and performed 77 shows together at the Magnet.
– Trike, the trio, began October 2009 w/ Leslie Korein
– 80 shows later, Leslie moved to LA
– Trike, the duo, began May 2011 and has since done 301 shows on Saturday nights at Magnet.
– Together Nick and Peter have performed in 460 shows.

Come see this incredible duo celebrate their 10th anniversary this Saturday, February 10th, at 9 PM. It’s gonna be a wild one.

Friday January 19, 2018, 10:00am - by Promo Team

TBS’ “Search Party” is making waves as a darkly funny sitcom that melds “whodunit?” with an overpowering sense of millennial ennui. The hit show features some excellent Magnet talent: co-creator Charles Rogers, a Magnet alum, and actor Phoebe Tyers, a performer on house team The Music Industry, plus cameos from seven other Magnet performers, past and present: Chet Siegel, Branson Reese, Shacottha Fields, Peter McNerney, Rebecca Robles, Jon Bander, and Brendan Jordan.

Rogers was honored last year in Forbes’ “30 under 30 Spotlight”, and the show made Paste Magazine’s “16 Best New Shows of 2016”, as well as having a character, Elliott Goss, make their “20 Best TV Characters of 2016.” The second season wrapped on Dec. 17, although season three has yet to be announced.

So what is “Search Party” all about? The Village Voice says it best: “A comedy of escalation, the series stands out in a crowded field for its bluntly sinister tone. The show stars Alia Shawkat as Dory, an aimless twentysomething who’s shaken out of her quarter-life stupor after she discovers a college acquaintance has gone missing and takes it upon herself to investigate.” Or take it from Film School Rejects: “[It] has been described as Gone Girls, a show with the stakes of Gone Girl in the world of Girls. The show expertly rides the line between millennial satire and truly surprising suspense—with a dash of broad yet grounded performances that are reminiscent of Mel Brooks’s High Anxiety and Woody Allen’s Manhattan Murder Mystery.”

The co-creators, Charles Rogers and Sarah-Violet Bliss, specialize in this specific brand of comedy, where the confluence of insecurity, insanity and mystery leave the audience alternately laughing and cringing as the characters’ superficially good intentions pave the road to an increasingly bizarre hell. We had a chance to sit down with Rogers and Bliss just before season one aired–and you can listen to the podcast here.

Actor Phoebe Tyers, a Magnet performer, plays April, Dory’s angsty, angry neighbor, who ultimately becomes an antagonist for the group in season two. Tyers is pictured right with her sister Claire, who also has a role in season two. We also have an interview with Tyers just before season one launched.

We are so thrilled to see performers of Magnet past and present receiving such a following, and are anxiously awaiting season three to see how the characters dig themselves in deeper!

 

 

Photo credits: IMDB, Phoebe Tyers Twitter.
Wednesday November 9, 2016, 7:00am - by Magnet Theater

sisters-three-podcast Subscribe with iTunes

The creative team behind SISTERS THREE joins us to talk about their incredible show. Starring Magnet all-stars Elana Fishbein and Elena Skopetos, directed by the one and only Peter McNerney, and written by all three of them, Sisters Three is a fast-paced, hilarious play that is running at the Magnet this fall and early next year. It’s Louis’ favorite show he’s ever seen at the Magnet and it’s also a New York Times Critics Pick. Your next chances to see it are Friday November 11th and 18th but you get to hear all about the show right here first.

They get started with attempting to describe Sisters Three and Louis claims that it’s the perfect marriage of improv and theater. The creators dive into the process of building, writing, and staging the show through improvisation and workshopping pieces of it. They say it took at least six months of work to even have an idea of what the show would look like!  It’s an incredibly interesting and wonderful process. They discuss embracing subtlety and avoiding the temptation to spell it all out for the audience. They talk about characters left on the cutting room floor and some of the jokes that didn’t make it in. Louis floods the episode with compliments and they’re all warranted. He also asks, “What’s the next step?” They talk about promoting and producing the play and where else they might be able to take it. Also, they give a nice hat tip to Locke & Key, a graphic novel series which has inspired them all. PLUS – They ALL do a Serious Scene Opposite A Jar of Pickles. (And no, it wasn’t Evan’s idea!) Huzzah!

Wednesday October 26, 2016, 7:00am - by Magnet Theater

louis-kornfeld-podcast Subscribe with iTunes

Oh my my. To celebrate our 100th episode, host LOUIS KORNFELD takes a seat on the other side of the table to be interviewed by the incomparable Peter McNerney! What more do you need to know??? Happy 100th! Huzzah!

Fellow Magnet veteran and instructor, Peter McNerney, literally takes Louis’ place to interview our intrepid host all about his life and mind in the world of art and improv. We get to hear tidbits from Louis each week, but this episode is all about him! We thought that after 100 episodes, it might be nice for Louis to kick back, take the night off from hosting, and simply answer some questions. The result is wonderful and we’re so happy to share it with you. Here’s to 100 more!!!

peter-and-louis-pickles

Tuesday May 19, 2015, 7:52pm - by Magnet Theater

conservatory

The Improv Conservatory Program is Magnet’s advanced improv training ground.

The program is focused on building a systematic transition from highly-proficient student to successful performer. It’s also a training ground for veteran improvisers interested in fine-tuning their skills. To do this, the Conservatory Program offers students a variety of specific classes featuring a higher degree of individualized attention tailored to each students’ strengths and weaknesses.

Conservatory classes fall under following categories:

Level Five: Intro to the Conservatory
Conservatory Skills
Conservatory Performance
Team Performance Workshop

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Thursday April 9, 2015, 11:46pm - by Magnet Theater

TheMaggies_2015_web

The Maggies are upon us once again! Tonight marks the night we award such meaningful prizes as Best Laugh Award and the Herbstman Humanitarian Award and celebrate the 10th Anniversary of the Magnet. Before we do all of that though, check out this video of the opening number from last year’s Maggies. It’s got master of ceremonies Peter McNerney singing and dancing all over the place. See you tonight!

Friday April 3, 2015, 12:00pm - by Magnet Theater

To celebrate the 10-year anniversary of Magnet, Sulaiman Beg and Kelly Donahue have developed an Oral History of the Magnet Theater.

The full story will be released in early April, but over the coming weeks we will be releasing some interesting stories that didn’t make the final cut.

The first in this series is a profile on how the teachers & founders first discovered improv in their own lives. Read Part 1 here.

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DISCOVERING IMPROV – PART 2

Herbstman: You know that last thing you think about before you go to bed is usually different every night. For me it was the same thing every night. It was, I’ve got to audition and get into Second City. It became pretty consuming for me. I cared about it a lot. My stomach would be turning. It worked out. I auditioned and they hired me.

Andrews: I just loved it. I just thought it was so much fun. I had never done any theater, I had never done anything artistic of any kind. But i was just super fun. I was really bad at it because I had terrible ADD I couldn’t focus on anything. It was a nice challenge for me to have to learn how to listen, to get good at that. I just remember it was one of my favorite things to do.

Herbstman: After I did five levels with Razwowsky he was like, now do you really want to learn how to do this? And he told me to go study at IO with Del. And I did. At 17, I went and took my first class with Charna.

Diaz: Back then, Improv Olympic would just take up residency in some bar. I didn’t question it back then, it was just kind of like, of course, that’s how you take comedy classes. Having started a theater, I realized wow, she had to do whatever she had to. It was just kind of like, a very gypsy kind of existence.

Herbstman: My iO Level 1 class was Matt Besser, Ian Roberts, Neil Flynn, Ali Farahnakian, John Rosenfeld, Andrew Moskos — those guys started Boom Chicago. Shortly thereafter, maybe 6-8 months after that there was Amy Poehler and Tina Fey. Rachel Dratch was performing there and also taking classes. There were under 50 people doing iO at the time.

Diaz: Del was just teaching the last level. You got into Del’s class and then you stayed in Del’s class forever. There was no graduation. You kept on showing up Monday night. There were like 30 people in the class, people on house teams.

Herbstman: I chose to go to Northwestern because they had a great improv group there that I wanted to be a part of and I also wanted to continue taking classes at IO, which I did all through college. Pretty much just wanted to get into Second City. That was my only goal. College was mostly just how do I get more stage time and do more improv and get better at it so I can be prepared for my Second City audition.

Diaz: Sometimes guests would come by. I remember [Chris] Farley, he graduated from IO and then was cast in Second City and he was doing Second City Mainstage, I remember him showing up and then sitting in on Del’s class. That was such an insane experience because it was Del in the first place which, he was was so scary, and smart, and such an authority. And you had all these other people that were amazing improvisers. You felt like, “What am I doing here? I’m just a freshman and here’s all these seniors.”

Andrews: In high school, my friend and I were annoying in improv and a lot of people didn’t really like us, contrary to how they might remember it now. We auditioned every year for everything. We didn’t get cast in anything. Nobody ever asked us to be in a group with them. The first time I ever got cast to be in a group with other people was when I went to college and that was after I was doing improv for like seven years. The team was called Suspicious of Whistlers, which is not a good name.

McNerney: I went in and I auditioned for The Meow Show at Northwestern, and I didn’t know it, but they had combined their auditions with this new long form group, called Titanic Players and so I accidentally auditioned for that. I came for The Meow Show. I didn’t know what long form was. But I got cast on the Titanic Players. My sophomore year there was a new freshman group cast and I became the first assistant director. Junior year I became a coach, and I cast Nick Kanellis on the next freshman team. He and Matt B. Weir, and Zoe Garmin from the Mindy Project were all on that team. My senior year, Russ Armstrong and Nick were in The Meow Show with me.

Marino: Ed was at iO West when I got there. I saw him onstage a bunch of times there. I thought he was great. I was like, who the fuck is that guy? This guy’s great. He sat in with a group called Tiny Hostages that did The Movie. They did that on a night that I performed. I auditioned for a Harold team at IO. Didn’t get on one. Not getting on a Harold team put me on a path to expedite my move out to New York, to do so as soon as possible. I moved there in 2003.

McNerney: I moved to New York in 2005. I knew I was going to do improv. I knew UCB was out here. I drove all my stuff out here the week before graduation, dropped my stuff off at my sublet and then drove to my Level 1 with Chris Gethard and then the next day drove back to graduate. And then the day after graduation, flew back to take my second class.

Andrews: I moved to New York in 2009 to do grad school. This was a point where I was like, I need to keep doing improv. I applied to PHD programs. But, I only applied to grad schools in New York and Chicago, so that I could keep doing improv which should have been a pretty good sign of, hey, just go do your thing.

Wednesday April 1, 2015, 12:00pm - by Magnet Theater

To celebrate the 10-year anniversary of Magnet, Sulaiman Beg and Kelly Donahue have developed an Oral History of the Magnet Theater.

The full story will be released in early April, but over the coming weeks we will be releasing some interesting stories that didn’t make the final cut.

The first in this series is a profile on how the teachers & founders first discovered improv in their own lives.

———————————-

DISCOVERING IMPROV – PART 1

Armando Diaz: I grew up in Illinois, south suburbs Chicago, a place called Country Club hills. It was a regular old suburb. There weren’t really country clubs. I had this friend in high school, Kevin Dorff, who kind of woke up comedy in me. He was voted class clown. Really funny guy. We’d write little sketches back and forth during class. I didn’t realize they were sketches back then.

Ed Herbstman: I lived in the suburbs of Chicago and about fifteen to twenty minutes away from my house by car was Second City. We would go to the improv sets on weekends. The weekend sets were 10:30 – 11:00 on Thursday, Saturday and Sunday. We went to every single one.

Diaz: I was in film school at Columbia College, in the program they had suggested if you’re interested in being a director, one thing you want to do is take an acting class from the acting department. I took a class and the teacher had graduated from the Second City training. He was a traditional actor but he would have us do a lot of improv in the class. That was fun. I had never done that before.

Alex Marino: My counselor at church camp in high school was a guy named Michael Lewis, he introduced me to improv. He was really involved with a short form troupe called Comedy Sportz, which had a franchise, weirdly, in Bakersfield, California, where I grew up. I got on my high school Comedy Sportz team, and if you got on, every Saturday you would meet for a couple hours next to a comic book store, in an abandoned tanning salon, and do improv.

Rick Andrews: My dad found some listing for ImprovBoston, when I was 11 or 12. They used to have Sunday afternoon shows, which was a terrible idea. We went down and saw a show, and no one was there but my family. They weren’t even supposed to do the show, they were supposed to cancel if it was less than ten people. But they did the show. It was great. In my mind, it was great.

Louis Kornfeld: My senior prom, myself, Charlie Whitcroft and Corey Grimes decided not to go to prom. Instead, we pooled our money and got a hotel room together. We got like a bottle of whiskey, and that was our night. Megan came too. The next day, we had some time before we had to check out, so we walked around the neighborhood a bit. This was like on 22nd Street. We were walking and we just happened to bump into the UCB 4 who were all outside smoking outside of their old theater. They’d just opened it.

Megan Gray: We would go in to see UCB shows in high school. We had heard they have teen classes and we were like ahh, I don’t know. We were always too scared, or we didn’t have time. We were making videos and stuff.

Peter McNerney: I had done a little short form in theater class in middle school and high school. My first week at Northwestern, I saw The Meow Show, which was this historic short form and sketch show that’s been around since the 70s. Ed was in it, and Melanie Hoopes and Rachel Hamilton and Julia Louis Dreyfus. It was this big deal show and I saw that and I was like I want to do that!

Gray: I was a dramatic writing/screenwriting major, and I had read somewhere that Conan O’Brien had said improv is a good way for writers to get over writer’s block so I thought that would be really cool.

Kornfeld: Megan’s dad signed us up for UCB Level 1 in October 2003. Me and Megan, and Corey and Charlie. And in that class we met Kelly Buttermore and Jon Bander. We also met Damon Ketron in Level 2.

Herbstman: When I got a car at 16, I would just go by myself and be one of the weirdos that was in line for every show and would see every show. At that time it was Dave Razowsky, Steve Carell, Amy Sedaris. I had just missed Colbert. It was just awesome. I mean imagine seeing Steve Carell four nights a week do improv. And Dave Razowsky who’s just awesome. And them doing it together. It was just really funny.

Diaz: I ran into Kevin Dorff one day and he had just gone to see a show at Improv Olympic that his sister recommended. He mentioned it to me and said, “Hey you gotta take this class.” It was with Charna. We went to this German bar, and it’s empty. It’s Wednesday night at 7:00. There’s no internet, everything is done by phone. We sat there for 20 minutes, and nobody showed up. It was just me and Kevin and the German bartender. Finally, […] Charna called the bar and was like, oh we’re pushing back the class a week. I don’t know why we did, but we came back the next week and people showed up and we had our first class and it was just like.. By the end both of us were just like, totally excited, totally pumped. It was great.

Herbstman: I was seeing so many shows at Second City, eventually they were like you could take classes here, and I was like, are you kidding me? I got a job tearing tickets, being a house manager, seating people. Suddenly, I was working there on the weekend and that meant free classes for me. So I would seat people and watch every single show, because I had to sit there and watch the show while the show was going on which was great.

Andrews: I kept seeing a bunch of of shows at ImprovBoston, and the AD was just like, take our class. He popped my friend Mike and I into their adult classes. So it was two 12-year old boys and a bunch of people in their 20s, 30s and 40s. We were annoying. We were mature for 12, but the would put us at, like, 15.

Marino: When I got a car, and was able to drive myself there, I went and started taking classes in LA at iO West. I lived in my car for awhile in Los Angeles, just taking classes at IO, until some people in one of my classes learned that and was like, don’t do that, you shouldn’t do that, you should come live with me. And they put me up on couches.

Herbstman: My teacher for Level 1 and Level 2 was Dave Razowsky. Level 3 was Steve Carell. I had Level 4 and 5 with Dave Razowsky again. It was great. And I was 16-17, didn’t know what I wanted to do with my life or where to go to school or wherever but I knew improv was the one core fundamental thing that I wanted it all to revolve around.

Continue to Part 2…

Tuesday June 17, 2014, 9:00am - by Magnet Theater

Subscribe with iTunesPeter McNerney
Have you listened to the Magnet Theater Podcast yet?  Why NOT?  Get in on it before you fall behind.  In the latest episode, Louis Kornfeld sits down with Magnet Performer and Instructor Peter McNerney!  They chat about the fear of making choices, failing in order to succeed and the joy of making lies.  Wanna justify lying all the time?

Subscribe and Listen in iTunes or listen below with Soundcloud…

Monday January 20, 2014, 5:05pm - by Magnet Theater

reductress_logo

Magnet Theater recently chatted with Beth Newell, one of the creators of Reductress.com, an online satirical news site that’s been called The Onion for women. Beth is also Managing Director of Magnet Theater’s Sketch Teams and currently performs in the improv duo Sad Kids. The conversation was mostly about shoes and purses, but Magnet managed to shift the conversation to comedy, the transcript of what followed is below.

Photo of Beth Newell at the Reductress Office

Beth Newell seen here at the Reductress headquarters, a giant uterus shaped cave.

MT: Reductress.com is a very smart and funny. I loved the ad for ‘Vagina Whitening Tampons.’ And your coverage of New York Fashion Week.

BN: Thanks. We did some videos that got passed around, which was fun.

ad for vagina whitening tampons

The new dick joke?

MT: And you’ve tapped into a lot of talent in the Magnet community to help, which is great.

BN: Thanks. There are a lot of funny women with good ideas and a lot of sharp comedy skills at Magnet.

MT: Is Reductress.com run by mostly women?

BN: Yes, it is. It’s run by women. There are some men involved, too.  We’re not actively avoiding using men, but since our playground is women’s media, women have a unique perspective that more directly serves our point of view.

MT: So basically, ‘no dudes’ is what you’re saying?

BN: No. But because we make fun of the way the media speaks to women and its presumptions about the way women think, it’s natural for women to be more equipped at exposing the comedy targets.

MT: So no dudes. I get it. Moving on-

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