Posts Tagged ‘Pat May’

Wednesday June 28, 2017, 6:34am - by Magnet Theater
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Human laugh factory, MICHAEL DELISLE, joins host Louis Kornfeld to discuss being funny on purpose, bombing on stage, and making a meal out of nothing. He and Louis debate whether or not Phil Hartman had a sense of humor, explore why Michael is so funny in a wig, and they also perform no fewer than three improv scenes together! It’s a real good time and you don’t want to miss it. Huzzah!

Beginning with the introduction of our guest, this episode gets off to what is undeniably the most awkward start in the history of the podcast. Michael asks Louis if he is truly great and the tension builds from there. These two good souls make the most out of the situation and manage to laugh their way through it.

Getting into the real conversation, Louis notes that Michael does a heck of a lot of sketch comedy, but he says he still loves improv. They debate over what percentage of sketch and improv is actually good and try to approximate what the batting averages are for each in the comedy scene. Louis breaks down Michael’s “Will Ferrell effect” for us and our heroes do some improv together. All of this in the first 12 minutes of the episode!

They dig into the idea of being intentionally funny while improvising and debate whether or not improvisers should rely on their life experience to be funny. Louis asks if Micahel is a nervous performer and Mike tells a story about bombing on stage doing stand-up at the tender age of 16. They talk about what you can learn from bombing, both in improv and sketch, and then they do another improv scene. This time, they’re both wearing shorts!

Circling back around, Michael and Louis once again discuss intentional comedic choices in improv and why it’s tricky to teach that skill. While some may consider intentionally comedic choices as going for cheap jokes, Michael thinks about it as playing the most fun thing right away. Our two heroes try to figure out why Michael is so dang funny in a wig and we find out that his favorite kind of sketch comedy is when he’s able to make a meal out nothing. Plus, they ask, “Did Phil Hartman have a sense of humor?”

Finally, Louis ends this episode by asking Michael to perform A Very Serious Scene Opposite A Jar Of Pickles.

Wednesday December 7, 2016, 7:00am - by Magnet Theater
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sam-rogal-podcast Subscribe with iTunes

Boy made of metal and Friday Night favorite, SAM ROGAL, stops in to discuss performing arts camp, team chemistry, and his lifelong comedy partner, Pat May. Sam was hooked on comedy at a young age and made it a goal of his to get to NYC where (surprise!) he finally made it and has since performed on Megawatt, the Friday Night Sh*w, with Story Pirates, and countless other stages and shows in this great city. He shares all kinds of wonderful secrets in this episode and you’re just going to eat it up!

We begin this episode with Sam talking about his years spent attending Buck’s Rock Performing and Creative Arts Camp and how it changed his life. He talks about the training he received there and makes sure to drop a bunch of names. Sam recalls trying to impress counselor Becky Drysdale (Baskets, Key & Peele) as a CIT and how excellent she was to watch and work with. Louis and Sam talk about teenagers improvising, both from the perspective of being a teenager and what it’s like as an adult looking back. They also discuss Pat May’s certain something. It’s impossible to describe, but they try. Sam tells us about getting hooked on comedy as a teenager and how the idea of moving to NYC stuck with him into adulthood.

Talking improv, Sam relates that he often smiles or laughs in shows (and gets noted on it) because he’s having such a great time. He thinks there’s room for really enjoying yourself, even while working on commitment. Of course, we gotta talk about Metal Boy – Sam’s #1 Megawatt team. He describes what it’s like to find your team after being cut from others and he just has to mention his best boy Pat May again. He posits that an improv team is like a basketball team and preaches the virtues of simplifying scenes before making them insane. He and Louis also discuss how to keep a team consistent as it also evolves. Part of what helps make that evolution possible is talking openly and honestly with your team, which is also good advice for romantic partners. Speaking of, Louis asks Sam to talk about Elena Skopetos, his girlfriend, and well, you’ve just gotta listen. It’s adorable. Finally, Sam and Louis discuss the improv community’s evolving approach on how it deals with sensitive topics.

Tuesday September 27, 2016, 3:54pm - by Magnet Theater
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carly-monardo-podcast Subscribe with iTunes

Animator, illustrator, and Magnet performer, CARLY MONARDO, joins us to talk about the links between her different disciplines, who her heroes are, and what drives good characters. Plus, she plays monologue hotspot with Louis and performs a serious scene with a jar of pickles. Carly started at Magnet with the Free Intro to Improv class and now performs on Megawatt with Metal Boy, on Magnet Sketch Teams with Dinosaur Jones, with her duo TJ & Blood, and every Saturday night with The Cast! She’s also created the artwork for dozens of different shows at the theater and helped drive the Magnet’s visual identity. Could she BE anymore wonderful???

Carly begins this episode talking about how she first became interested in improv by watching shows at UCBT and then seeing Musical Megawatt at Magnet. Her first class was the Free Intro to Improv class, which turned out to be a really good idea. Louis pauses the improv talk for a bit to ask about how Carly got into animation, graphic design, and art in general. She talks about having to take an acting class in college and how the lessons learned while studying animation have bled into her performance. They also attempt to answer the question of what drives characters. Is it all ego-driven? Louis can’t let the opportunity pass to ask Carly what she did on The Venture Bros., what her proudest projects have been, and who her heroes are! Plus, they throw a lot of shade (and love) at Sulaiman Beg. Our episode concludes with a wonderful round of two-person hotspot based on the suggestion of “a rose by any other color” and Carly performs A Serious Scene With A Jar Of Pickles. You’ll have to listen in because these two native Staten Islanders have a grand old time!

Thursday December 3, 2015, 9:00am - by Magnet Theater

Death Lips 2 Web

A massive sketch show is going up at the Magnet Theater on Monday, December 14th. What show is that? Oh, it’s none other than DEATH LIPS 2: KISS OF DEATH. Following the smashing box office success of DEATH LIPS, Dreamsburg Pictures has given the go ahead to follow this great movie up with a sequel. Quite a few sequels actually. Because it was that good. This wild, incredibly fun and very silly show was written in full and directed by our own Amanda Xeller and stars a tour de force cast of dynamite performers: Sarah Marie Degni, Chano Garcia, Eli Itzkowitz, Ally Kornfeld, Kyle Levenick, Pat May, Catherine Montesi, Lex Morales, and Jessica Taylor.

If you like to laugh, if you like things loose and free, and if you like a few dick jokes, this show is for you.

Tickets are $7.00 and reservations can be made here: http://www.magnettheater.com/shows/46181-DEATH-LIPS-2-KISS-OF-DEATH

Wednesday September 23, 2015, 7:00am - by Magnet Theater
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Pat May Podcast Subscribe with iTunes

The Magnet Theater Podcast triumphantly returns from a late-summer respite with a glorious episode featuring Magnet performer, gamer, Training Center House Manager, and boy made of metal, PAT MAY. He sits down with host Louis Kornfeld for a sweaty conversation all about going to comedy camp, his approach to improv scenes, and how he seeks to create shows that are truly for the audience. He also discusses writing and performing sketch comedy, TV Party Tonight, and his incessant self-deprecation.

Louis begins this episode by asking Pat about his summers spent at Buck’s Rock Performing & Creative Arts Camp and doing comedy for the first time at age 16. At Buck’s Rock, Pat met a lot of folks now in the comedy world like Rebecca Drysdale, Louie Pearlman, Griffin Newman, and Sam Rogal. He grew up in Hastings-on-Hudson, which allowed him to do some open mics in NYC as a teenager, but the stand-up environment soon turned him off. Pat believes that the open mics he went to were like YouTube commenters in a circle jerk, which is a beautiful analogy.

It didn’t sit well with him that people simply wanted to be funny, or simply to be funny to themselves. When performing or putting up a show, Pat always tries to think: “What would make someone get off their couch and come out to the theater?” He loves to make things that people genuinely enjoy. Pat tells of a recent show he put up to which zero people showed up and gets into the topic of failure. Even on his team Metal Boy, which is a sucessful team, Pat knows that he’s still going to have fuck ups. It can be frustrating to know that you’re not in control of the whole show or team, but part of that is also what’s exciting about improv.

Talking about improv mechanics, Pat has never really cared about labeling from inside the scene. It’s all about the present dynamic for him. “Who cares about labeling?” he asks. “Just improv nerds!” What does Pat think about before a show or do to prepare for it? To describe his style, Pat says that he’s not a thinker, which you might have already known if you saw his recent show where he repeatedly fell out of a window. Among the different members of Metal Boy, Louis takes particular interest in exploring Pat’s relationship with Sam Rogal, his frequent collaborate, former roommate, and longtime friend. Louis observes that Sam doesn’t let things go and Pat won’t give up on any small thing he’s doing, which often allows them to continue scenes forever. Breaking the rules of improv is one of Pat’s most favorite things. Louis thinks that if a team says they’re going to follow the fun that night, they’re doomed to fail. Pat weighs in on The Spokane as a form. Spoiler alert: He doesn’t like it.

Paying him a compliment, Louis says that Pat’s characters are always very clear and have obvious wants. What kinds of choices really click with Pat? He relates to a lot of the teaching he received from Louis and Rachel Hamilton.

Pat talks about his farts. For real. He also burps a lot. Powering through his bodily functions, Pat and Louis discuss being in the moment and having needs, wants, and drives in scenes. Both guys comment on big characters. Plus, you will learn Pat May’s improv cure-all. It’s really dumb!

Louis finally cuts through the heavy self-deprecation and asks Pat why he shits on himself all the time? Laughing at being called out, Pat claims he’s just trying to check himself and reign in his ego. He holds himself to a high standard and needs to be reminded of that.

Finally, they talk about Pat’s show TV Party Tonight and how he loves to create shows that the audience can feel a part of. TV Party Tonight is a show where Pat, his friends, and special guests watch TV and make jokes, talk to the audience, and give out free beers. For real though, Pat cannot stop burping and farting. Louis asks about translating the experience of hanging out with friends to a show meant for an audience. Pay says that performing can often be selfish, but a show like this is one that the audience too can get involved in. He really wants to make shows for other people.

Plus, these important topics:

  • Do you ever feel truly great about what you’re doing in comedy? Or is ownership the best we can do?
  • Pat talks about Sketch Jesus!
  • Louis vamps a whole lot!

Go see TV Party Tonight on Friday, September 25th at 11:30pm!

Check out Pat’s video game podcast “Game Boyz” on his SoundCloud page!

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