Posts Tagged ‘Party’
What’s the best kind of birthday party? Why, a comedy birthday party of course! Jarret Berenstein is back with another birthday-themed variety show, The Fine Thirty-Nine, on Sunday March 25 at 9pm. Will there be sketch? Yes ma’am. Will there be stand up? You betcha. Will there be a party? Most def! Jarret spills the birthday beans below.
Tell us about your show!
This is the follow-up to last year’s show, The Great Thirty-Eight. Is it all new stuff, or are you up to your same old tricks?
Do you anticipate doing more of these birthday shows? What titles do you have lined up?
What are you most excited for the audience to see?
According to the poster, your show is made up of sketch, stand up, and a party. What’s the best party you’ve ever been to?
Watch Jarret party on at The Fine Thirty-Nine, Sunday March 25 at 9:00pm at Magnet!
Lane Kwederis is a sketch performer at Magnet (she and I are the two women on the sketch house team, Party.) Lane also performs with her indie improv team, Power Nap, and her PIT musical team, [Title of Team] (That’s the actual title of the team, not a placeholder for this article). She’s got skills. And she’s a wonderful person.
And I got to ask her some brilliant questions. I’m such a good interviewer. Check it out:
The Montreal Sketch Comedy Festival just announced its 2014 lineup, and the Magnet Theater is proud to be represented by three of its teams: the veteran duo, Listen, Kid!, and two of its house teams from Sketch Sunday, Baby Shoes and Party.
I recently chatted with Alessandro King of Listen, Kid! about life, sketch writing and sketch directing, and festival first-timer advice.
Hi, Al. Nice tie. How did you and Kevin Cobbs decide to become a sketch duo? How long have you been a duo?
Listen, Kid! started four years ago when Kevin and I met in Mark Grenier’s Improv Level 1 at the Magnet. We kept doing really goofy scenes together where one of us would play a prospector or explode through a door or something, and everyone encouraged us to create an indie duo once class was over. Rick Andrews was the big brother for the class and he said, “If you guys make a duo, I will coach you.” So we did, and Rick got us hooked up with two Test Drives, and by Spring of the following year we were doing Tuesday night shows pretty regularly, usually with Upstate or the Oakwood Boys. It was very much a Magnet Theater Fairy Tale.
We decided to focus on sketch in the Fall of 2011 when someone whose name rhymes with Blick Blandrews suggested we join RIPE with Armando. We put up our first Listen, Kid! sketch show (I think) in April of 2012, and we’ve been focusing on sketch (Magnet shows, festivals, web videos) ever since, although we still do improv every once in a while, usually with our pals We’re Matt Weir as Listen, Weirs!
How do you both collaborate when writing sketches for a show? Did you work on sketches together when Kevin went on the Second City cruise ship for 4 months?
Our Clinton/Bush sketch is a pretty good example of how we work as a team. I read on Wikipedia one night that Bill Clinton supposedly lent George W. Bush his DVD copy of the film “W.” and Bush watched it, commenting to Clinton that it had some “sad moments.” I immediately called Kevin and told him and said something like, “This is the dumbest thing I have ever read. We have to make this a sketch. Was Clinton actually being a pal or was he just trolling? This is the dumbest thing I have ever read.” I described to him my visual idea (the whole sketch is a series of phone conversations between the two, with each president sitting in a special light), and Kevin immediately wrote the first draft. It was eerily similar to what I had in mind, only funnier, with the amazing climax of Bush e-mailing Clinton scans of his paintings and Clinton weeping profusely at their profound beauty. I made a couple of small changes and it was ready to go.
Kevin’s internet access was limited on the cruise, we but still managed to go to Chicago Sketch Fest with Branson Reese and Chi-Town friends sitting in for Kevin, edit a new Mad Men-themed web video, share a couple of sketches, and develop a web series idea. Stay tuned for further updates.
Listen, Kid! was reviewed very favorably by the Chicago Tribune after your performance at this years Chicago Sketch Festival. Does Listen, Kid! have big plans in store for the future?
We’re focusing on web content, getting ready for Montreal, and developing an all-President-themed live sketch show. You can keep up with us online at listenkidcomedy.com, on YouTube at ListenKidComedy, and on Twitter @ListenKidComedy.
At the Montreal Sketchfest, you will have the unique honor of performing there as a member of a critically acclaimed sketch duo, and as the director of a Magnet sketch house team, Party., that is also performing in the same festival. Party. is the first sketch house team that youve directed at the Magnet. Why did you decide to become a director? How has your experience been so far?
Beth Newell asked me to sub in for Breakfast For Dinner a couple of times last year, and I said, “Yes,” instantly. I just had an inkling that directing sketch would come very easily to me and bring me a lot of creative satisfaction. It didn’t seem like, say, coaching improv, which I’ve never tried but always assumed I’d be a disaster at. (I’m still game to prove this wrong some day.) I had a lovely time as was expected, and asked Beth to keep me in mind if a directing slot opened up. When they formed new teams in September, I got asked to direct one for the season.
I absolutely love directing Party., and look forward to every minute of it during the week. They continue to impress me with their commitment and professionalism and blow me away with their rapid growth, particularly as performers.
You run Party. like Singapore. The streets are spotless, we attend meetings punctually and are off-book at every Saturday rehearsal, and we fear you. What is your philosophy as a director? How did you decide upon benevolent dictatorship as the best way to run a sketch team? (Editor’s Note: The interviewer, Catherine Wing, is a member of Party.)
If I’m a benevolent dictator, keep in mind that I’m only partially responsible for that dynamic: deep down, there is something inside every one of you that wants me to rule you like a king.
I’m a playwright, so I run my writing meetings like a playwright’s workshop, meaning my goal is to help you write the best version of your sketch. I have no interest in forcing my own ideas or telling you what I think should happen next. If I do make a specific suggestion, I try to make it very clear that that’s only one possible route for the sketch.
When show week comes along, I make a setlist and become a director. At that point, what I say, goes, and the edits I want to happen, happen. It’s a very different dynamic from the writing meetings.
You guest directed the Magnet sketch house team, Baby Shoes, for their most recent show. Is it true that they plied you with free liquor, charmed you with their good looks and talent, and took you to Rye Playland to ride the roller coaster? They are performing at the Montreal Sketchfest too, you know.
They did take me to Rye Playland, and let me just say that Bob Kern and I have only exited the Tunnel of Love in the literal sense of the word.
What advice would you give to sketch teams that are going to their very first out-of-town festival?
It’s impossible to accurately predict the audience’s reactions. There will be some sketches they will love, but there will always be something that just bombs and you had no way to stop it. When that happens, don’t get caught up trying to figure out what you’re doing wrong in the moment: theres nothing to fix, it’s just not their cup of tea. Get through the sketch and move on to the next thing. That’s the beauty of sketch as opposed to improv: you get to wipe your slate clean every couple of minutes.
What weird stuff did you learn about Kevin when Listen, Kid! traveled on the road together for the first time? And what weird stuff did Kevin learn about you?
Each trip is really Kevin’s learning experience because every time I offer to take the wheel, he has to devise new ways to say, “No thanks, I don’t want to die today.”
Listen, Kid! does improv? Just the two of you? Do you have guests sit in with you? Who might they be, and when can we witness this rare opportunity to see Listen, Kid! improvise?
This Friday, April 18th, at 11:30 PM, we will be taking the Magnet stage for the first time since Kevin’s return. We’re going to be doing our classic improv form, which is an improvised movie hosted by decrepit Hollywood producer Irv Newberg and his dim-witted assistant Charlie Tickertape. It’s a great way to see how this all started and there will be special guests, all of them popular recurring characters from the Listen, Kid! universe. There is only one way to find out who they are and that is to come on down.
October was a wonderful month at Magnet! From a surprise Mike Myers show, to new ensembles, to Magnet performers in The NYTVF, a lot happened. To begin, Mike Myers dropped by for a special duo show with Magnet co-founder Ed Herbstman. After Jason Mantzoukas was unable to make the widely coveted Mantzoukas Brothers Show, the 3rd Mantzoukas Brother (Mike Myers) showed up to save the day. Herbstman and Myers had incredible chemistry, flawlessly weaving in and out of characters and scenes. Their show, just over an hour, was full of high energy sharp characters.
We had lots of new teams! Musical Megawatt (College, Wonderland), Megawatt (The Flood) and Magnet Sketch (Party., American Wormholes, Baby Shoes, Cash, The Misses) all had debuts this month! Congrats to the new players and be sure to check out these teams in November.
The 5th Annual NYMIF came and went with over 100 performers from as far as Toronoto and as close as Broadway! We had an incredible 5th Anniversary Festival which featured Baby Wants Candy, The Improvised Sondheim Project, and a closing night benefit for Gilda’s Club NYC. Thank you to performers, audience members and our wonderful volunteers, we’ll see you next year!
Happy Birthday to Armando Diaz! Our fearless leader in improv and sketch turned a whole year older this month. His birthday was kicked off with a little Halloween celebration with spooky juice, haunted candy and scary birthday candles. Cheers Armando- thanks for making us all better at what we love to do!
In celebration of its 7th Anniversary, Magnet held its first completely ridiculous and ironically meaningful award ceremony. It was the 1st Annual Maggie Awards and everyone played fell into their appropriate roles immediately; the winners were falsely modest and the nominees who lost pretended it was an honor just to be nominated. The presenters were sharp and read the prompter with varying degrees of skill and self conscious sexiness.
Here are some moments from the ceremony for those of you in the community who couldn’t be there, and those of you who were there and aren’t sure this actually happened. Enjoy
Click after the jump for the complete list of nominees and winners.
- Al Smith
- Alex Marino's Beard
- Best Laugh
- Best LINprovisor
- Best Person
- Best Property Damage
- Binu Paulose
- Carl Olsen
- Chatherine Wiing
- Chris Simpson
- christian paluck
- Golden PBR
- Jamaal Sedayao
- Jen Sanders
- Joel Esher
- karsten cross
- kelly buttermore
- Kevin Cobbs
- Lauren Olsen
- Louis Kornfeld
- Maggie Awards
- Matt B Wier
- Matt J Wier
- Michael Lutton
- Mike Berry
- Nick Feitel
- nick kanellis
- Opening Number
- peter mcnerney
- rick andrews
- Robin Rothman
- steve whyte
- The Maggies
- The Magnet Toilet
- the native american community
- TJ Mannix
- Tony Mui
- willy appelman
- woody fu
- Worst Improvisor