Posts Tagged ‘musical improv’

Monday June 26, 2017, 6:47pm - by Magnet Theater

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We are now accepting applications for The Summer 2017 Circuit! Circuit Teams are made up of Magnet Theater students, graduates of our training program, and veteran performers. We believe that in order to get better at improv, you need to do it.

The deadline to apply is July 5, 2017, at noon. Teams will be announced July 8. Rehearsals start the weekend of July 15. Shows will begin Friday, July 21. Teams will perform Friday nights at 10:00 pm for 10 weeks (with one week off for Labor Day weekend).

To sign up for The Circuit, click this link to fill out the form:
https://docs.google.com/forms/d/e/1FAIpQLSc5UINIQf4uUHsaF0FEkRbTkyzLQTc5ayBc3S5XWlcgvzRQiA/viewform

This round, there will also be a Musical Circuit team! If you have completed Musical Level 3 and are not currently on a Musical Megawatt team, you can apply for Musical Circuit here:
https://docs.google.com/forms/d/e/1FAIpQLSeIxodoz3G0VZwn14jwzpntUqiRkEX5cg8GDZ3cUcEPFtHcHA/viewform

Questions? Just email circuit@magnettheater.com!

Wednesday June 7, 2017, 7:00am - by Magnet Theater
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Daughter of the wind, KEILANA DECKER, joins our host Louis Kornfeld in episode #125 of the Magnet Theater Podcast. The two dig deep into the topic of “having fun” and the trouble they both have with it. Both of them share their appreciation for fellow Magnet personality Charlie Nicholson –  including a hilarious story involving Charlie’s toothbrush – and as always, we learn about different improv tricks and strategies from Louis and Keilana alike.

At the beginning of the episode, Keilana reveals that she has prepared for this recording by listening to other episodes of the podcast and fears that she will simply regurgitate dialogue she’s already heard. Keilana tells us about going home to Chico, CA recently and she and Louis chat about going home to see their parents and how belittling it can feel.

Speaking of home, Keilana talks about leaving hers and coming to NYC to do improv. At first, she was so intrigued and confused by how these experienced improvisers were able to have fun while performing and Louis connects with Keilana over the idea of having a hard time “having fun” on stage. Louis draws a line in the sand and says that he doesn’t like fun because “fun is cheap.” Our host and guest digress a bit, admitting that there is a benefit in allowing yourself to being exposed in front of people who are in a position of accepting and supporting you. Keilana talks about the different levels of exposure, giving the example of how she felt like she wasn’t able to tell improv teammates if and when she didn’t feel good about her performance. Tangents aside, Keilana and Louis circle back around to the topic of having fun and Louis provides the following analogy: “I love dancing – except when there are other people around doing it.”

Louis talks about a book he is reading that explores how different people deal with their wounds: people who use their wounds to better themselves and people who give into their wounds – the “born losers.”  Our two heroes realize that they are both people who don’t like the excessive amount of attention improv necessitates, but who love the art form nonetheless. Louis describes improv as airing out your wounds publicly (for about 20 minutes) and they both relate to how scary and empowering that can be.

We hear about Keilana’s newest love: spontaneous one-person applause. She tells us about her appreciation for the recognition in the one person who is willing to clap by themselves, which means more than simply laughing along with everyone else, of which she says, “You can laugh because you don’t understand something.” Of this kind of bold self-expression, Keilana is reminded of her appreciation for Charlie Nicholson (her Bodywork team member). She talks about a fun game he plays by hiding his toothbrush around her apartment when he stays over. Louis describes Charlie as a person who is willing to try out something new, that hasn’t been done, just to see what happens with it.

To round out the episode, Keilana and Louis discuss how a really good scene just requires one “yes, and,” how improv helps us harness the childlike wonder we’ve forgotten about, and why cleverness has a habit of ruining improv scenes. Plus, Louis describes a dream he thinks everyone has had (no one has) and Keilana builds a beautiful metaphorical firework.

 

Wednesday May 24, 2017, 7:00am - by Magnet Theater
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International man of mystery, ROMAN PIETRS, sits down with host Louis Kornfeld to discuss his improv life, his various profession(s), and being a dad who does improv. The Warm Blooded team member explains his proclivity toward using emotion during improv and Louis unearths out some of the reasons why Roman is a person of great intrigue. The topics in this episode range from European walking tours to male-perm quiche parties, so you know it’ll be great.

We begin this episode with a sneaky little cold open in which Roman and Louis delve into their family histories including a generation that seemed to largely reject their given names.

Diving into the episode proper, Roman divulges that he planned ahead by checking emails in order to refresh his Magnet Theater memory. When discussing musical improv, Roman explains that he has “more of a musical mind than a lyrical mind” and gives an example of a song about a box. It’s the kind of improv that Roman refers to as, “speaking in tongues.” Louis also shares his perspective of letting yourself go onstage and opening your mouth without an idea.

The two chat about their experiences with emotion on stage and we find out that Roman’s safe place is going to a highly-inflated emotional state. Louis was uncomfortable with the idea of playing with emotion at first, but now he believes that emotion is everything. Roman discusses his recent struggle with breaking on stage – due to the hilarity of his teammates – and describes his team, Warm Blooded, as an ensemble that creates “passionate musicals that borderline on the obscure.”

Louis begins to figure out some of the reasons why Roman has the reputation of being a “man of mystery.” In addition to working in improv and graphic design, Roman also helps run a European walking tour industry (taking place in Budapest, Prague, etc.). After helping his wife out with a craft idea, they eventually got to be on Shark Tank. “Male-perm quiche party” is a term that Louis had never heard of, however Roman used it as a way to raise money for a good cause and in turn share a cover story with Slash from Guns ‘N’ Roses. Lastly, we hear about an interesting taxi driver whom Roman learned a lot about. And that’s just the stuff we had time for in this podcast recording!

Monday April 3, 2017, 11:38am - by Megan Gray
Musical Megawatt - Musical Improv

We are thrilled to announce the newest additions to our Musical Megawatt lineup! Catch these new teams in action this Tuesday, April 4th at 7, 8, 9 and 10pm.

New Team Crosby
Russ Feder
Brendan Goggins
Margaret Lyons
Adam Payne
Jackie Skinner
Justin Torres
Catherine Wing

New Team Stills
Chris Bell
Jessica Coyle
Amanda Mayer
Garett Press
Melanie Rubin
Cian Smith
Steve Whyte

New Team Nash
Lorraine Cink
Jennette Cronk
Eitan Levine
Maryann Menzies
Charlie Nicholson
Ali Reed
Brian Rodriguez

New Team Young
Samara Breger
Tim Canty
Keilana Decker
Dan Iwrey
Jayme Mattler
Billy Soco
Curry Whitmire

Wednesday March 22, 2017, 7:00am - by Magnet Theater

 

Comedian and rapper, KATY BERRY, talks with host Louis Kornfeld about performing with a chip on her shoulder, why Sexy Baby is so damn hot, and her hip-hop improv team, North Coast. They also discuss how their personal lives show up on stage, how Katy found herself doing comedy in NYC, and the importance of being a motherfucking role model. For anyone who hesitates to be themselves and tell the haters to go screw, this episode was made just for you, with love, from KBizzle herself. Do. Your. Thang.

When we asked Katy what she might want to discuss on the show, she said, “Saying ‘fuck the haters’ and slaying all day, every day” which proved to be a wonderful jumping-off point for the episode. We find out what exactly that means to Katy as she and Louis talk about putting the personal and private lives on stage for all to see. Katy feels as though she has something to prove as a performer and that it comes from her childhood, both parts of which we get into. A shock to no one who has seen both of them perform, Louis theorizes that he and Katy may deal with private matters in opposite ways! For Katy, it all ties into her resolve to never back down from being herself.

Katy considers herself very lucky to have been on three incredibly supportive, incredible teams who have all celebrated her approach to improv and allowed her voice to be heard, loudly. She shouts out Cool Blanche before getting into her current teams, Sexy Baby and North Coast. Louis asks Katy about Sexy Baby’s modus operandi and she boldly claims that fart jokes are the birth mother of all comedy. Katy tells us what Sexy Baby tends to focus on in practice and she provides us with a little bit of her own NYC-comedy origin story.

Of course, we can’t hear from Katy Berry and not discuss North Coast, her hip-hop improv team that is about to celebrate their eighth anniversary (this coming Friday)! Katy got onto the team after going to an open audition and tells us why it was not only a match made in Heaven, but maybe even fate. She talks about what goes through her head when doing scenes with North Coast and how the confidence gained doing hip-hop improv slips into her daily life. Katy and Louis both think that people who have never struggled have very little to offer us on stage and Louis has an epiphany on the mic! As a performer, Katy urges everyone to play fearlessly, to lead, and to be a role model when on stage. By simply being yourself, you allow others to be themselves too. Finally, Louis brings to light a very interesting point that we should all be keyed into and we end this episode with some excellent plugs. Want more on Katy? www.katyberrycomedy.com

Thursday March 9, 2017, 9:00am - by Magnet Theater

Musical Megawatt - Musical Improv

Announcing Musical Megawatt Auditions

We are excited to announce that Musical Megawatt auditions are coming up! To submit for an audition slot, please fill out THIS FORM! Please note that only people who have completed Musical Improv Level 3 at the Magnet Theater are eligible to submit.

This season, auditions will take place on Saturday, April 1st, from 6:30 to 10:30, with callbacks on Sunday the 2nd at the same time. Both rounds of auditions will be at the Magnet Training Center, located at 22 West 32nd Street on the 10th Floor. We will do our best to accommodate everyone’s schedules, but please understand that we can’t guarantee anyone a particular audition time.

Submissions must be received by Wednesday, March 22nd, and emails with assigned audition times will be sent out on Friday the 24th.

Again: Click here to view the submission form!

If you have any questions or concerns, feel free to email Michael Lutton at mjlutton@gmail.com.
 
We look forward to seeing you at auditions! 
Monday February 6, 2017, 4:20pm - by Megan Gray


We are excited to announce that the two Musical Mixers this month (Tuesday, February 7th and 21st) will take place at 6pm! Sign-ups begin at 5:30.

Musical Megawatt teams will perform afterward, with shows at 7, 8, 9, and 10. We hope to see you there!

Wednesday January 4, 2017, 7:00am - by Magnet Theater
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Youthful cast member, KIM BROWN, joins us to talk about training at multiple theaters, Gilmore Girls, the post-election Megawatt experience, and much much more. Hear about her Megawatt team YOUTHS as well as what it’s like to put on a show with The Cast.  She dishes about everything from hot celebrity gossip t0 her indie team Free Kittens, so you can rest assured that this episode explores the full breadth of humanity. Listen up!

Welcome to 2017! The Magnet Theater Podcast is back for another year of interviews and, this week, we have Kim Brown on the mic. Kim and Louis begin this episode discussing her writing gig at a popular website dedicated to celebrity editorials and hot hot goss. As he often does, Louis asks our guest how she got herself into acting and comedy. Kim’s origin story eventually lands her at UCB and with her beloved indie team, Free Kittens. We hear all about that, plus, she and Louis share some hot takes on which days of the week are best for taking classes!

After several years at UCB, and following a short break from improv, Kim began classes again at Magnet and had an amazing experience going through a second program. She details what it’s like to come back to take improv classes at another theater and why it was such a joy. Kim joined The Cast just after completing Team Performance Workshop and speaks here about how everyone on the team brings their own expertise to the show each week. Speaking of expertise, Louis and Kim get to talking about Gilmore Girls! As a Gilmore Girls expert on The Cast, Kim has much to say and Louis, who is only about three seasons in, also weighs in. This dive into the lore of Stars Hollow raises the topic of recreating something you really love and prompts a discussion on The Cast’s weekly process of paying tribute to a particular genre or theme.

If you’ve ever wondered, “Will Kim Brown ever take a musical improv class?” we have the answer! We find out what scares Kim about musical improv and her former love, musical theater. Kim talks to Louis about performing at Megawatt the night after the 2016 election and they wax poetic about comedy’s ability to help us during dark times. Louis asks about Kim’s Megawatt team YOUTHS and they have a rousing discussion about reframing the Harold to make it more fun and how gaining a bit of confidence can make you so much better improv. The episode concludes with a round of Getting To Know Each Other and a once-in-a-lifetime epilogue from Louis Kornfeld. Check it out!

Wednesday December 14, 2016, 7:00am - by Magnet Theater
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lane-kwederis-podcast Subscribe with iTunes

She’s all over the stage and screen and now LANE KWEDERIS joins us to discuss musical theater, audition wisdom, and her favorite moments from working in TV! From the Boston Conservatory to your cable box, Lane has accumulated a wealth of experience, which she shares on this episode as she and Louis discuss her career and life as an actor and comedian. Like Louis, you have perhaps never met Lane before, but you’ll love her after an hour! Catch Lane every Tuesday on Musical Megawatt with Public Pool and on Mondays with sketch team The Executives!!

This episode begins with Louis admitting that he and Lane just met for the first time! It seems as though they’ve been ships passing in the improv night for years now. In order to get fully acquainted, Louis asks how Lane ended up as a performer. She talks about studying musical theater at Boston Conservatory and working in theater soon thereafter. So, how’s she get into improv? Spoiler: It involves a casting director’s suggestion and a new passion. Lane and Louis discuss the rigid musical theater machine versus the more welcoming world of comedy. Despite her initial interest in live theater, Lane is mostly working in film and TV these days. Louis asks a number of nerdy, technical acting and audition questions and Lane answers, giving particular attention to comedic choices. This is helpful information for those interested in that kind of work!

Jumping back, Louis asks Lane if she always knew that performance was her life’s calling, and while she says that indeed, it was, she also mentions how she once wanted to be a veterinarian. As such, she and Louis discuss cute animals (see cat above), Lane’s playful nature, and the archetypes of children. Lane also talks about the fun of performing in Urinetown as a senior in college and how she really loved the comedic aspects of it.

To bring us fully up to speed with Lane’s acting career, Louis asks her to share a couple quick hits from her television appearances. She tells of what it was like to film on Comedy Central’s “Broad City” and of a parlor trick gone wrong while shooting Netflix’s “The Characters” with Tim Robinson. Finally, Louis asks Lane about the comedy that she writes and creates herself – what makes her laugh? – and they mull over some best-case Disney princess scenarios.

Plus! We bring you new editions of both Getting To Know Each Other and A Very Serious Scene Opposite A Jar Of Pickles!

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Wednesday November 2, 2016, 7:00am - by Magnet Theater
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Founder and host of Thank You For Coming Out, DUBBS WEINBLATT, joins us to discuss battling stagefright, coming out stories, and the show TYFCO. Dubbs talks to host Louis Kornfeld about getting started in comedy in Ohio, how great Hawaiian shirts are, and what it feels like to be cut from a team. This episode is filled with the laughs you’d expect and also a lot of honest, touching moments that we think everyone can appreciate. Dubbs FTW! Check out the next Thank You For Coming Out on Monday, 12/12, at 10:30pm.

This episode kicks off with an exploration of why Dubbs been shaken by performance anxiety lately, but before going too deep into it, we back up a bit and Louis asks how Dubbs got started in comedy. We find out that Dubbs was originally pursuing stand-up in Columbus, OH! They both talk about the difference between the fears associated with standup (you’re prepared, but alone) and the fears linked to improv (you’re unprepared, but with people). Eventually, Dubbs moved to NYC and signed up for a UCB intensive improv class, but never even got to take it! Instead, Dubbs found musical improv at Magnet.

Louis talks with Dubbs about coming out as gay and then, later, coming out as genderqueer. As someone who didn’t fit into the gender binary, gaining the language necessary to properly articulate Dubbs’ new identity was perhaps as important as anything else. Dubbs describes the lead-up to top surgery and how the effects of the surgery can be seen in the camouflage and Hawaiian shirts Dubbs wore, respectively, before and after the procedure.

Circling back to where we began, Louis and Dubbs discuss stagefright! Dubbs describes the experience of a recent show where the cast of TYFCO (literally) held Dubbs’ hand leading into a scene and goes on to profess the benefits of community support. Diving further into the background of that moment, Dubbs speaks candidly about being cut from Musical Megawatt and how it hurts more being let go from within the system than not being a part of it at all. The interview ends with a bit more talk about TYFCO.

To close the show, Louis and Dubbs get to know each other with a “coffee and cake” monologue hotspot and Dubbs gives us a Serious Scene Opposite A Jar Of Pickles for the ages!

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