Posts Tagged ‘movies’
We talk with Magnet co-founder Ed Herbstman about working with producer Judd Apatow on “The Big Sick”
Magnet co-founder and actor, Ed Herbstman, plays Sam Highsmith in one of this summer’s most anticipated comedies, “The Big Sick,” starring Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Aidy Bryant, Bo Burnham, Kurt Braunohler, and David Alan Grier. Directed by Michael Showalter, “The Big Sick” is produced by the legendary comedy writer/director/producer Judd Apatow. In this very special feature, we sit down with Ed for the inside scoop on working with Judd Apatow!
MAGNET: So, what was it like to work with comedy powerhouse Judd Apatow?
EH: I don’t know. I didn’t actually work with him. He was the producer.
M: As a producer, was Judd fun to work with?
EH: He wasn’t there. Michael Showalter directed it. He was great.
M: We’ve always heard that Judd is really a blast on set. Was that your experience?
EH: I’ve heard that too. But again, Judd Apatow wasn’t on set any of the days I worked. Kumail Nanjiani was there, and so was his wife and co-writer Emily V. Gordon. They were great. Funny, warm, playful – truly some of the kindest people I’ve ever worked with.
M: Yes! Of course. This is really Kumail and Emily’s project. And as a producer, Judd Apatow must have his fingerprints all over it.
EH: I can’t really speak to that. I can tell you that my favorite part was improvising with Kumail, Bo Burnham, Aidy Bryant and Kurt Braunohler. Showalter really let us play. I play Sam Highsmith, a stand-up comic who–
M: Is Judd Apatow a good dad?
M: Judd Apatow?
EH: That’s not a question.
M: Knocked Up.
EH: We done?
Thanks so much to Ed Herbstman for sitting down with us to provide an inside look into what it’s like to work with big time Hollywood producer Judd Apatow. Go see “The Big Sick” in theaters now!
Magnet Theater co-founder and all around improv know-it-all, ARMANDO DIAZ, sits down with us to talk about film, improvisation, and what he thinks of the “guru” label. It’s not everyday we get to hear so intimately from one of the greats of improvisation, but Armando stopped by to chat with host Louis Kornfeld and we couldn’t be more thrilled. Who knows maybe this will be one of many? What we do know for sure is that this episode is not one to be missed.
Our conversation with Armando Diaz begins with the moment he gave up on the film industry. Both he and Louis had forays into the film industry and neither of them particularly liked it. However, it was this rejection of film that steered Armando toward improv. These two encyclopedias of improv and film discuss how improv keeps people more honest than film, how it strips away pretentious defense of art, and how Louis learned more about scene structure and motivation through improvising than attending film school. You need the laboratory of improvisation to learn and grow, says Armando.
Louis notes that, when teaching, Armando talks a lot about culture and art, so he asks Armando where he finds inspiration these days. In giving his answer, Armando opines on the need for art and culture to become local again. They talk about the dual importance of experiencing something together with a group of people, as well as the value of truly having time alone with your own thoughts – time devoid of entertainment and third party interference. In this part of the interview, we find out how many children Armando has! Youll be surprised.
Tying in Armandos notion of communal art with David Shepards goal of The Compass to be a popular theater, Louis asks how those ideas can be transposed into the improv of today. Armando tries to recall the first improv he saw that set the bar or made a big impression on him. For him, it’s always been about exploring the unknown. If for a period of time you can transcend yourself, those are the best moments. Where does such deep water lie for improv these days? Louis and Armando talk about challenging audiences in a helpful way and how we need imperfections and flaws.
If you came for the good stuff, look no further than Louis asking Armando about the status of his name. He talks about what it means to him to be “Armando.” People will think whatever they want, so he keeps himself grounded in real interactions with other people. He also tells use why he doesn’t love the idea of gurus and relates how the burden of experience can get in the way of trying to learn something new. Not wanting to watch people who have a list of rules in their head, Armando has developed his teaching methods to focus on inspiring students rather than correcting them.
Among a bevy of talk on improvisation, Louis asks Armando why he’s such a reluctant improviser and Armando talks about what it’s like to play with his frequent duo partner, Christina Gausas. Finally, Louis reminds us of this wonderful quote from Elaine May: The only safe bet is to take a risk. Amen.