Posts Tagged ‘Hannah Chase’
A new Megawatt season began last month and, with it, a new Megawatt Director in Hannah Chase! Hannah has been an instructor and performer at Magnet for years now and, in addition to directing The Cast, performs every Thursday with The Music Industry. We sat down with her to talk about her vision for Megawatt and to shed some light on the woman behind the curtain!
What are a few things you’re excited about for this upcoming Megawatt season?
I think Megawatt is in a really exciting place right now. We’ve got three new awesome teams and three existing teams that got new members. Even for the two teams without anyone new, the excitement of having fresh teams and players as part of the night definitely brings new energy to everyone on Megawatt.
What have you learned from the past Directors that you plan to carry with you to the future of Megawatt?
Oh man, I can’t say enough good things about Louis and Nick (the two previous Megawatt Directors I’ve had the pleasure of working with). Both of them brought such commitment, creativity, and warmth to the job (and to the night in general) that I can only hope to continue. To get specific, I am in constant awe of Louis’s thematic and philosophical eye when it comes to improv, and I deeply admire how much he pushed teams to be thoughtful about the overall presentation of their shows. Under Louis’s guidance, it didn’t just feel like we were doing improv, it felt like we were creating art that actually meant something. As for Nick, I continually marvel at his ability to inspire improvisors to genuinely play with each other. Megawatt can be a stressful place sometimes (unfortunately) and Nick did an A+ job at getting teams to gel, to support each other, and to truly play. These are some big shoes to fill, but I’m trying my best and will continue to!
Is there anything new that you’re hoping to bring to Megawatt?
I don’t think I can really claim this as “new,” but one thing I felt (and continue to feel) excited about is the idea of creating teams with a very specific style/vibe (or even a specific form) in mind. I’ve seen and been on lots of teams that felt like a perfect balancing act of improv styles and skills: a few big aggressive silly players, a few grounding and “actorly” players, a few folks with a sharp eye for pattern, and one or two improvisors who consistently use a wider lens to look at the whole piece in order to tie things together or enter toward the end with a walk on that is so perfect it feels scripted. The right balance of players on a team can create something truly great, and we’ve seen time and again that this works.
I’d heard it said before that it was inadvisable to create a team of players who all played similarly, and this always confused me. I can see that you wouldn’t necessarily want to make a team with eight players who all have the same limitations, but I think a team of eight like-minded (or like-styled) talented improvisors sounds genuinely thrilling. After all, the way we describe Megawatt to current and prospective students is a night in which you can spend four hours seeing eight completely different teams that represent a wide variety of improv and comedy styles. So…I wanted to double down on that! Long story [not so] short, each new team is made up of players with similar skillsets and the ability to play and [hopefully] have fun in a very specific style. Not to say that each team doesn’t have stylistic differences among the players, but we tried to match people who we thought would bring similar strengths, gel stylistically, and challenge each other to further hone those skills!
Who are the new Megawatt ensembles and what can we expect from them?
If you haven’t had a chance to see the three new Megawatt teams, You Are Missing Out. Here’s a little info about each one:
She Wolf was created to do organic improv, and they have taken to it like gangbusters. This is an exceptionally collaborative, playful, attentive team of improvisers. And they’ve been adding one organic skill/muscle/device each week, so the team is constantly evolving. If you saw them a few weeks ago, seeing them again will be a totally different experience. They’re doing weird stuff, in the absolute best sense of that word. Highly recommend!
Drama is the first Megawatt team in a long while to do an expansion. These eight improvisors are top notch actors who all excel at creating complicated, honest, unique characters that will somehow make you both laugh and care! In each show, they weave a web of lovable weirdos (in the absolute best sense of that word) and you’ll walk away feeling like you just saw an excellent, hilarious play. Highly recommend!
Scout is a fast, spunky, sharp-as-tacks group of improvisers doing a Harold. With a flare for the weird (in the best sense of that word), this is a group of truly unafraid and delightfully silly players who will jump on board anything and everything without hesitation. This is an ensemble that knows how to set each other up for success and laughs, and they do so effortlessly and with just the tiniest bit of snark. Highly recommend!
Can you tell us about a fond memory you have from your past as a Megawatt player?
When I first got onto Megawatt, I was horribly insecure and totally terrified (I cried a lot those first few months). That isn’t a fond memory, I know, but it’s true! But here’s the fond part: when I first got onto a team, I had so many people (lots of whom were veterans I’d admired from afar for years) reach out to both congratulate me and also offer up their ear(s) if ever I wanted to chat. I ended up taking a bunch of them up on that offer and was really grateful to connect with so many interesting people, many of whom had gone through similarly fraught adjustment periods when they first got on house teams. This shit is hard, man! And connecting with people who had been through similar experiences and had come out a-o-k was really helpful and meaningful for me. Megawatt isn’t just a collection of teams, it’s a community, and the generosity and support I received in those first few weeks has continued to this day. Sorry, I go sentimental real easy…did you want a funny memory? Once my team, TMI, did a super long tag run in which I got to actually slap each one of them in the face (!) over and over. It was totally bonkers but also felt ok because people were literally tagging in just to be slapped by me, which demonstrated the particularly high level of trust that’s always been present on that team. See, I made it sentimental again. Ugh I’m the worst.
Catch Megawatt every Wednesday at 7, 8, 9, and 10 pm, which two teams playing each hour. $7 for the whole night!
Magnet all-star Hannah Chase co-stars in a new short romantic comedy
Our very own Hannah Chase (The Music Industry, The Cast) co-stars in “Another Girl,” a short romantic comedy from filmmaker Austin Kase and The Light LLC. Sams ex-lovers arent so ex to him. In fact, they always seem to re-appear at the worst possible moment, sabotaging his hopes of finding new love.
Here’s the synopsis:
Sams ex-lovers arent so ex to him. In fact, they always seem to re-appear at the worst possible moment, sabotaging his hopes of finding new love. Can Sam banish them from his life before they ruin his chances with the newfound girl of his dreams? Swaying delicately between dry wit and wistful vulnerability, Another Girl playfully explores the way our relationships shape who we are, and offers a fresh perspective on sex, love, and self-acceptance.
Plus, it’s already been accepted into the Lighthouse International Film Festival, the Chain NYC Film Festival, the First Glance Film Festival Philadelphia, and most recently, the 15th Annual Tallgrass Film Festival! We’ll be keeping any eye out for when “Another Girl” made available online, but in the meantime, congrats to Hannah!
Greetings, Magnet Theater Friends and Family!
This September will mark the end of the current Megawatt season and also the two-year mark of my tenure as Megawatt Director. With the changing of the season (and a baby on the way) I have decided to step down and hand the baton off to the incredible Hannah Chase!
Hannah will officially be taking over with the next round of auditions and start of the new season in mid-September. Dates for auditions will officially be announced on this blog at a later date.
I’m endlessly blown away by the talent, creativity, and camaraderie of the Megawatt performers and members of the community, and Wednesday nights are always a highlight of my week. It has been an honor and a privilege to get to watch and be a part of four hours of some of the best improv anywhere every Wednesday for the past two years.
Megawatt is the greatest, and it just keeps getting better. I plan on bringing my baby to watch when she is old enough.
Our intrepid host, Louis Kornfeld, is taking the summer off to explore worlds outside of the Magnet Theater Podcast, but in the meantime, we’ve got Ed Herbstman at the helm, presenting a variety of pieces he’s been eager to share for some time. So kick back and enjoy this first Summer Bonus Episode featuring performances by Peter Grosz, Hannah Chase, Christian Paluck, J.P. Manoux, Rachel Hamilton, Melanie Hoopes, and Ethan Sandler. It’s the perfect little vacation for your ears.
Get ready, because heartthrob DEVIN O’NEILL joins us to talk about her lifelong pursuit of comedy, performing for children, and how following your feet is the best! From The Cast to Sketch Teams to Megawatt and INSPIRADO, hear about Devin’s many comedic ventures and how she most prefers to approach scenework. Plus, a cameo from Ed Herbstman and Louis being an old man!
Louis begins this episode pointing out how nervous Devin seems to be. What’s she got to be nervous about? It’s just a podcast! All kidding aside, she quickly masters her fear in time for Louis to ask her about her favorite quote: Dont cry because its over, smile because it happened. On her way to discussing imaginary friends, Devin manages to insult Louis’ age and it’s good fun for all. Laughing off his obviously hurt feelings, Louis wants to talk about Florida, which is where Devin is from originally. She tells us of this odd and, at times, amazing state and then claims that shes wanted to be a performer and comedian since she was three year old! Wow. And the best part? Its true!
Devin has been performing for as long as she can remember and, in adulthood, spent time acting in a children’s theater company which toured throughout Florida. All this before she moved to NYC to do improv and create funny characters. She got into improv thanks to her friend and Magnet House Manager, Bimini Lee Wright, after watching a UCB class show and then seeing *Kiss Punch Poem*. Sorry, 101 class, but Devin ended up taking classes at Magnet. Circling back to childrens theater, Devin and Louis discuss why playing for children is both incredibly difficult and totally amazing. They answer the question we ask in retrospect: How does an improv audience compare to a room full of unabashedly honest children? Plus, Louis provides a theory as to why improv is populated by such a bunch of smarties.
Back to the present, yes? Devin came to New York to to pursue comedy, something which stemmed from her work in Commedia dell’Arte. She tells of about all the different shows she does, plus(!), she’s got a full-time job. Needless-to-say, she has a lot to balance day-to-day and being on stage allows her a central focus compared to the scatterbrain nature of daily life. She and Louis ponder advice for enjoying second beats and talk about innovative thinking versus adaptive thinking, or initiating versus responding, if you prefer. She advocates adding a feeling of inclusiveness to how you begin a scene, no matter what kind of initiation you provide, and as promised in the lead, they talk about their feet knowing better than their minds!
To wrap things up, Louis and Devin wax poetic on The Cast, which for the record, Louis thinks is better than 98 Degrees. Devin tells us how crazy fun the show is and gives a lot of well-deserved credit to their director, Hannah Chase. Plus, Ed Herbstman makes a cameo and Devin talks about being friends with the one and only Justin Torres!!
- Bimini Lee Wright
- children's theater
- commedia dell'arte
- Devin O'Neill
- Hannah Chase
- Louis Kornfeld
- magnet sketch teams
- magnet theater
- magnet theater podcast
- magnet training center
- new york
- new york city
- sketch comedy
- Student Council
- Sulaiman Beg
- The Cast
On this week’s episode, Magnet performer, director, and instructor Hannah Chase joins us to talk about improv, self-criticism, and why everyone should see a therapist. Host Louis Kornfeld asks Hannah about her upcoming Directors Series, “The Cast,” and forthcoming elective class, “Play!” Both projects remind host and guest alike that sometimes the easiest way to participate in something you enjoy is to create it yourself. Find out how playing piano in her younger years has influenced Hannah’s approach to improv and the role that self-criticism plays in both. Louis offers that we replace the concept of failure in improv with that of uncertainty and also urges us to find in our neighbors what we find fascinating in ourselves. Plus, both Hannah and Louis attempt to appease demands made by Peter McNerney and Ed Herbstman, to great success. Check it out!
Or simply enjoy Episode #42 below via SoundCloud.