Posts Tagged ‘Eleanor Lewis’

Tuesday November 14, 2017, 1:57pm - by Magnet Theater

You may know Molly Kiernan from seeing her perform at Megawatt with Scout or with Chillionaire on Magnet Sketch Teams, plus, she’s directing the upcoming show This Is Serious! (A Comedy Show). In addition to all of that, Molly is the creator, host, and namesake of Molly’s Guilt Free Comedy and Ice Cream Social, a comedy variety show happening this Friday, 11/17, at 6:30 pm. It’s going to be hilarious, heartwarming, and for a good cause. Find out more about it right now!

Tell us about your show!

I began producing this show a year ago, in part as a way to celebrate my own recovery from an eating disorder. Discovering comedy and the Magnet was such a huge part of my healing process, so it felt fitting that everything would come together in a Magnet show. The show has evolved as sort of an opportunity for everyone there, audience-members and performers alike, to take time out to celebrate themselves and each other. I hope people will see it as one hour where they put aside whatever they may be beating themselves up over that day.

This is a high-energy and very silly variety show, where top NYC comedians will perform characters, improv, dance and more. The performers include some of my all-time favorites: Anna Neu, Lee Hubilla, Mia Bloomfield, Amanda Melhuish, Jesse Roth, Natasha Vaynblat, Brian Urreta, Lou Gonzalez and Eleanor Lewis.

Before the show, there will be a free ice cream bar in the lobby, with ice cream donations from The Brooklyn Ice Cream Factory and Ample Hills Creamery.

In the past the shows benefits have gone to Project Heal – what is the new charity that you will be donating the proceeds to?

This show, half of the ticket proceeds will be donated to Everytown for Gun Safety.

What message(s) do you want audience members to take with them after the show?

We all deserve to take care of ourselves, laugh a lot and eat dessert!

How does this show differ from a traditional improv show?

This show will have some improv and some scripted performances, including characters and song.

What would be the next best food after ice cream, in your opinion, to serve at the event?

Can my answer be more ice cream?

Come see Molly’s Guilt Free Comedy and Ice Cream Social this Friday, Nov 17th, at 6:30 pm!

Tuesday September 5, 2017, 2:53pm - by evan barden

This month’s Director Series, “The Setup,” comes to us from the brilliant mind of Eleanor Lewis. Eleanor is most often seen on stage with Megawatt team Sexy Baby, but for the month of September, she’s sitting in the director’s chair, working with a special cast on a show of her own creation. We’ve interviewed her to find out more about the show and where her compass is pointing!

Tell us about the concept of The Setup. How did you come up with this idea?

First of all, thanks for having me. This studio is very comfortable and expensive-looking!

The Setup is an improvised one-act play where the audience designs the set – so, basically a monoscene with a theatrical style. A few months ago I was thinking a lot about my favorite improv shows and realized that the ones that stuck with me were always the ones that were either so funny they were unforgettable, or ones where the actors took their scenes seriously and took the time to explore the subtleties of their characters and relationships. The ones I still think about all the time have both – it’s something that a lot of really good duos have because they’re so patient and trusting with each other. They can be so silly and dumb, and then in the next breath extremely human and touching.I started thinking of ways to set up a show that encouraged this kind of improv, and the idea of giving the actors a designed set, just like in a real play, was the one that was the most interesting to me. I thought it would give the performers the sense that they could take their time and explore their world without giving them an explicit directive to form a narrative, or forcing them into being artificially dramatic.

Then I just had to pick a cast of strong actors who are also – and I hope they’re cool with me saying this – incredible weirdos. People who can do complete nonsense with gravity and a straight face, and love doing it.

How does the audience get to design the set for the show?

I wrote a web app. It’s very buggy, but the audience can use the app on a tablet out in the lobby to design the set. We take the tablet into the theater, set the stage, and nobody has to go through the awkwardness of dragging chairs around while everyone watches them. Technology can be isolating, and sometimes that’s a good thing!

How is improvising with a set different than working without one?

There’s a sense that everything is intentional, which is basically a trick, but a good trick. It puts you in the mindset of being in a play where everything exists on purpose. But, you still have the spontaneity of improv where the cast can surprise each other and themselves. Also, improv scenes demand that you answer a lot of questions – who are we? What are we doing together? Answering the question “what does this space look like, physically?” is unusual as the very first thing that happens.

Your show is an improvised one act play. What plays inspire you as an improv director?

I’m actually extremely ignorant and poorly-read when it comes to scripted theater, so my references are kind of limited. I think 12 Angry Men is a great play for clear and believable character behavior because each juror has such a clear perspective. I think it’s also a strong lesson for improvisers because the show wouldn’t work unless the jurors let themselves be convinced one by one. Even juror #3, who is never actually convinced, eventually goes along with a not-guilty verdict because he gets so worn down and upset. From an improv perspective, he follows the logic of his character all the way to the end but ultimately accepts the offer given to him even though it hurts and feels like a loss.

Dirty Rotten Scoundrels (the musical!!!!!) is great because the characters are all super smart and capable, but get into extremely stupid and absurd situations anyway. The show is so good because nobody seems to know that what they’re doing is funny or that they’re in a comedy at all, so you have things like a guy singing “love is my legs/ and you are my love/ so you are my legs/ my love” from the bottom of his heart while a woman holds back tears.

These are two of the three shows I know well and the third one is irrelevant to improv.

If you could do improv on the set of any play you’ve ever seen, what would it be and why?

I’d love to improvise on the set of Hamilton because that means I get to be all smug right now and say I saw Hamilton. You guys, it’s good! Also the set of Clybourne Park because there are so many sub-spaces to explore within it (the garden, all the upstairs rooms, the main foyer, etc) and because the set itself had so much personality.

The Setup is playing every Thursday night in September at 10 pm, as a part of Thursday Night Out. Don’t miss it!

Wednesday December 21, 2016, 7:00am - by Magnet Theater

eleanor-lewis-podcast Subscribe with iTunes

Friendship Club founder and genius-level baby, ELEANOR LEWIS, joins host Louis Kornfeld to discuss the best improv exercises, how modern comedies fall short, and why mixers are so wonderful. There’s oodles of improv talk in this one and, by golly, that’s probably why you’re here. Plus, they do some two-person monologue hotspot and Eleanor performs A Very Serious Scene Opposite A Bottle Of [Redacted] Water.

This episode begins with a rarely heard cold open as Eleanor and Louis discuss hot spot, one of the very first warm-ups most improvisors encounter. They debate whether or not it’s a good exercise for a class, or even for a team, to use. They talk about ego in improv, both its destructive and creative tendencies, and Louis offers the theory that the ego of the character and the comedy of the scene are intertwined. He then asks which improv exercises Eleanor really loves. They get into talking movies, where modern comedies fail us, and the greatest comedic strengths of film versus improv. Plus, they ask the question on everyone’s mind: Is Branson Reese the ideal improvisor?

They also partake in a rousing rendition of Getting To Know Each Other in which many great topics pop up. Louis shares his ULTIMATE BELIEF and Eleanor discloses her FAVORITE IMPROV THING! I mean, these are huge. The episode wraps up as Eleanor and Louis discuss shock-value comedy and hosting the Thursday Magnet Mixers, which you should all attend! Finally, Eleanor performs A Very Serious Scene Opposite A Bottle Of Nestle Pure Water even though Nestle is a horrible company and we don’t endorse them. Superman sucks too!

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