Posts Tagged ‘director series’

Tuesday November 7, 2017, 2:37pm - by Magnet Theater

This month, Magnet is happy to welcome back Space Station Delta for the November Director Series. We sit down with director Sulaiman Beg to talk about the show and how he gets his hair to look so good. We don’t really talk about the last part. Come see this show, from one of you favorite Metal Boys, playing each Thursday in November at 10 pm. TimeOut NY thinks you should!

For those who have not seen Space Station Delta, could you tell us a little bit about the show?

The show is a completely improvised live performance of a classic episode from the long-running and very fictitious sci-fi TV series Space Station Delta.

I’d always wanted to do a serialized improv show where performers are challenged to play the same main characters over a run like on any sitcom or other TV show. Expanding not only their personal world, but the world they exist in.

I’d been watching a lot of It’s Always Sunny in Philadelphia and what I loved about it was that no matter where these characters were (a store, a wedding, a bank, a football game) they always consistently acted like the garbage people they are. And I thought, why not do an improv show like this? And I was naturally attracted to the sci-fi genre because it’s the best genre for an improvisor – you can literally do and justify anything. Someone dies? Well, we’ll just pull the Time Reversal lever? Want to start a montage? Hit “play” on the Montage machine.

You’ve done this show a few times now – what do you love about it so much?

I mean, the cast is so, so great. The guest stars who I try to keep in the dark until the day of the show just fall right into place. There have been a few shows where I forgot I was watching an improvised show and felt like I was legit watching a live performance of a scripted work.

When Elana Fishbein guest starred during the first run, afterwards she told me she couldn’t believe how amazing all the characters were. And that was so great to hear. I mean, it was a compliment more for the cast and less for me, which was hurtful, and she and I never talk anymore even though we are neighbors and friends who are adults. Does that answer your question?

Do you have any specific memories of past shows that you’d like to share?

Oh man, so many. But since I typed it a few minutes ago, the Time Reversal lever comes to mind. Basically, a bunch of characters ended up dying during the course of the show and since the Time Reversal lever was set-up earlier in the show, one character pulled it and it re-started the episode. The last scene was almost a line-by-line version of the scene that began the show. That was very fun to watch.

And just watching how every guest star approaches the show is such a joy.

What can we expect from this series of shows that may be different from how you ran it in the past?

There are some new cast members and there’ll be new guest stars all month, so it’ll be a brand new experience and I’m so excited to see what they all pull off. Please “bold” every time I use the word “new” in the previous sentence. Really need it to stand out.

How did the show’s catchphrase “This really hurts!” come to be?

You know, in the two runs we’ve had, I don’t think anyone has actually used it…

Tuesday September 5, 2017, 2:53pm - by evan barden

This month’s Director Series, “The Setup,” comes to us from the brilliant mind of Eleanor Lewis. Eleanor is most often seen on stage with Megawatt team Sexy Baby, but for the month of September, she’s sitting in the director’s chair, working with a special cast on a show of her own creation. We’ve interviewed her to find out more about the show and where her compass is pointing!

Tell us about the concept of The Setup. How did you come up with this idea?

First of all, thanks for having me. This studio is very comfortable and expensive-looking!

The Setup is an improvised one-act play where the audience designs the set – so, basically a monoscene with a theatrical style. A few months ago I was thinking a lot about my favorite improv shows and realized that the ones that stuck with me were always the ones that were either so funny they were unforgettable, or ones where the actors took their scenes seriously and took the time to explore the subtleties of their characters and relationships. The ones I still think about all the time have both – it’s something that a lot of really good duos have because they’re so patient and trusting with each other. They can be so silly and dumb, and then in the next breath extremely human and touching.I started thinking of ways to set up a show that encouraged this kind of improv, and the idea of giving the actors a designed set, just like in a real play, was the one that was the most interesting to me. I thought it would give the performers the sense that they could take their time and explore their world without giving them an explicit directive to form a narrative, or forcing them into being artificially dramatic.

Then I just had to pick a cast of strong actors who are also – and I hope they’re cool with me saying this – incredible weirdos. People who can do complete nonsense with gravity and a straight face, and love doing it.

How does the audience get to design the set for the show?

I wrote a web app. It’s very buggy, but the audience can use the app on a tablet out in the lobby to design the set. We take the tablet into the theater, set the stage, and nobody has to go through the awkwardness of dragging chairs around while everyone watches them. Technology can be isolating, and sometimes that’s a good thing!

How is improvising with a set different than working without one?

There’s a sense that everything is intentional, which is basically a trick, but a good trick. It puts you in the mindset of being in a play where everything exists on purpose. But, you still have the spontaneity of improv where the cast can surprise each other and themselves. Also, improv scenes demand that you answer a lot of questions – who are we? What are we doing together? Answering the question “what does this space look like, physically?” is unusual as the very first thing that happens.

Your show is an improvised one act play. What plays inspire you as an improv director?

I’m actually extremely ignorant and poorly-read when it comes to scripted theater, so my references are kind of limited. I think 12 Angry Men is a great play for clear and believable character behavior because each juror has such a clear perspective. I think it’s also a strong lesson for improvisers because the show wouldn’t work unless the jurors let themselves be convinced one by one. Even juror #3, who is never actually convinced, eventually goes along with a not-guilty verdict because he gets so worn down and upset. From an improv perspective, he follows the logic of his character all the way to the end but ultimately accepts the offer given to him even though it hurts and feels like a loss.

Dirty Rotten Scoundrels (the musical!!!!!) is great because the characters are all super smart and capable, but get into extremely stupid and absurd situations anyway. The show is so good because nobody seems to know that what they’re doing is funny or that they’re in a comedy at all, so you have things like a guy singing “love is my legs/ and you are my love/ so you are my legs/ my love” from the bottom of his heart while a woman holds back tears.

These are two of the three shows I know well and the third one is irrelevant to improv.

If you could do improv on the set of any play you’ve ever seen, what would it be and why?

I’d love to improvise on the set of Hamilton because that means I get to be all smug right now and say I saw Hamilton. You guys, it’s good! Also the set of Clybourne Park because there are so many sub-spaces to explore within it (the garden, all the upstairs rooms, the main foyer, etc) and because the set itself had so much personality.

The Setup is playing every Thursday night in September at 10 pm, as a part of Thursday Night Out. Don’t miss it!

Thursday November 1, 2012, 2:41pm - by WillyAppelman

Tonight!  The Director Series continues with “Medusa” directed by Nick Kanellis.   “Medusa” is the ninth installment of The Director Series, a 4-week series of performances wherein a Director selects a cast and presents a different form.  “Medusa” is a long form improv show involving all performers on stage at all times.  The improvisers alternate between speaking roles and playing inanimate objects.  It all begins Thursday November 1st and continues every thursday at 10pm for the month of November.  The show features Julia Hynes, Peter Collins, Justin Moran, Rick Andrews, Branson Reese, Ali Fisher, Matt B. Weir and Scott Lawrie.  If you’re able to get to the theater safely tonight we’ll see you there!  If not, don’t eat all that 50% off candy at once!

 

Wednesday August 1, 2012, 1:27pm - by WillyAppelman

Thursdays at 10pm in August!

This Thursday at 10pm is the debut of “The Weave” directed by Rick Andrews!   The show is the latest installment of the Magnet Theater’s Director Series, a monthly series of performances where a director presents a different improv form with a completely different cast.  The only rule is that there are no rules.  Watch Magnet’s best improvisers perform organic freeform improvisation in two mind blowing parts!  Featuring: Russ Armstrong, Peter McNerney, Chet Siegel, Alan Fessenden, Frank Bonomo, Alex Marino and Special Guests!

For more information, take a look at our Facebook event!

Join us afterwards for a special opening night party at Smithfield!