Posts Tagged ‘deadlines’
Have you ever found inspiration in a Deadline? Magnet’s Chris Bell and Jessica Coyle have, by teaming up with BMI’s Dave Christensen to create Deadlines: a completely original musical show raising money for St. Jude’s Hospital by 6pm on Sunday, April 29th ! No need to for you to rush– we’ve got the details right here before you catch the show this weekend.
What’s a time when a deadline inspired you to make something amazing?
Jessica: When I was living in Korea, I was highly involved in the arts scene there. I acted, did stand up, and ran an improv troupe. While I was touring the fringe circuit doing short form improv in Canada, I became friends with Chase Padgett, an amazing performer whose one man show consistently sold out enormous performances. I had the crazy idea that I would fly him back to Korea, have him do a couple of shows, and book him to him teach musical improv workshops to the expat community. At the time, it didn’t occur to me how crazy it was to take on the upfront costs of figuring out housing, a transcontinental flight, and reserving a 200-seat theater for an international artist. I just decided to do it, and I did it. For some reason, maybe just because I gave myself the deadline and went ahead and did it, it went amazingly well. Failure wasn’t an option, so I didn’t fail. That’s the power of an arbitrary deadline.
Dave: When I was in college for Musical Theater performance, we had to pick a ‘concentration’ for our senior year; basically this meant choose one aspect of musical theater performance to focus on and take more classes in that field your final year. I had realized that performance wasn’t my passion, but I didn’t know what was, I just knew I like musical theater in general. I decided to try something different and make my own ‘concentration’ which would consist of me putting up a show of my own songs at the end of the year. I had a teacher work with me all year, and because the show was required as part of my grade, and had been advertised, I had to make it happen! I did, and found that what I really loved was writing, and to make sure I give myself deadlines ever since.
Chris: Deadlines have helped me produce shows! They help me get my art out there, to try to see if the ideas I have work, if they’re as fun as I think, and to get the work done.
Which Magnet performers are featured in this show?
It’s a huge cast list! Including us (Jessica and Chris,) we’ve got Lane Kwederis, Tori Smith, Maryann Menzies Alspaugh, Ali Reed, Beth Slack, Robin Rothman Taylor, Brian Rodriguez, and Amy Charowsky. We’ve also got Magneteers Michelle Foor, Robin Rothman Taylor, Frank Spitznagel, and Dan Reitz writing music for the show.
What was the process of developing the songs featured in Deadlines?
This was an opportunity to get Magnet performers involved with professional composers and lyricists from the BMI Writers Workshop, writers and composes who are professionally producing work for the stage. We wanted the two communities to connect, and we also wanted to give these writers an opportunity to experiment with work they wouldn’t normally put in a show. They wrote these songs and they want to see how they play before an audience.
The process was a three-month labor of love. First, we reached out to songwriters from the BMI Writers Workshop and within the Magnet community. We then gave those songwriters three deadlines: the first, to submit a basic description of their songs along with singer requirements, the second, to send a rough draft of lyrics, and the third to submit the annotated music for our pianist. After that, it was up to the singer and songwriter to figure out staging and rehearsals, building up to our final dress rehearsal on April 29th.
This show will raise money for St. Jude Hospital. What inspired you to get involved with this cause?
Dave: I have been teaching music and dance for 8 years this year, and over that time I have had multiple students diagnosed with cancer. Most of them were between 8 and 15. I saw the difference that St. Jude made in the lives of some of those families, especially in the children with more rare forms of blood cancer that are more difficult to treat. It’s an incredibly large amount of information for a family to intake, and having that expert team of doctors help to sort through it all and find the right treatment was essential for these families and their children. I’m happy to say I saw many full recoveries, which is why I choose support St. Jude and all the amazing work that they do.
Don’t miss Deadlines, Sunday April 29th at 6:00pm!
- Ali Reed
- Amy Charowsky
- Beth Slack
- BMI Musical Theater Workshop
- Brian Rodriguez
- chris bell
- Dan Reitz
- Dave Christensen
- Frank Spitznagel
- Jessica Coyle
- Lane Kwederis
- Maryann Menzies Alspaugh
- Michelle Foor
- musical comedy
- new york city
- nyc comedy
- Robin Rothman Taylor
- St. Judes
- Tori Smith
Magnet Video Lab premieres its third season on Sunday at 6pm, so we thought wed catch up with Annie Quick, one of the driving forces behind the entire operation (along with Jim Turner and everyone’s favorite friend, Armando Diaz). We asked her a few questions over email and she was kind enough to give her insights on what makes a great video, how MVL has grown, and how important deadlines are to the process (spoiler alert: very important). Check it out!
1. Why did you start the Magnet Video Lab?
I took Sketch Level 1 & 2 at Magnet and loved the structure of itit’s a great way to get feedback and have writing deadlines. At some point I realized that’s what I needed for a few video projects I was working onthe self-generated films that were suffering from lack of a formal work structure.
Since Jim Turner and I both work in production and he’s also at Magnet, we thought it might make sense to start a group in the style of Magnet’s sketch writing classes. Our main goal was to have each participant come out of the ten-week session with a completed video.
2. What’s a Video Lab?
At one point, Jim had pointed out we were essentially creating a salon where creators come for mutual support, but in the end we decided that lab is a better handleit involves assignments and deadlines and an expectation that you’re obliged to show up because your lab partners are counting on you.
Jim and I spent a lot of time talking about the roadblocks we encounter when we’re working on our own films. All steps of the process are challenging. At any stage a project can flounder from lack of labor, feedback, gear, time, etc. The thing that sinks most film projects, though, is the lack of a real deadline. That’s the main thing we wanted to give everyone.
We also thought about how a beginner might dip their toes into the water and gain knowledge and confidence in the process. The Video Lab is a place where beginners and experts help each other bring their projects to life. Everyone rolls up their sleeves and pitches in.
3. What’s your favorite thing about the Magnet Video Lab?
I love that we are all working on our own things. I know that other groups exist where everyone works on the same video together, and that’s cool too, but I think the Magnet’s program is unique because we support the individual filmmaker and help them to bring their own ideas into the world.
For me, that’s been educational because I’ve had to wear so many hats that wouldn’t if we were all working on one film. So, for instance, this session I helped one of my labmates with costuming and another session I was a DP, and for others I’ve helped out in audio.
I also take a lot away from watching other people go from blank page to done. Films are so time consuming to make, and so it’s really inspiring to be around a group of people who are finishing their stuff, and making great stuff!
4. How has MVL grown?
It’s been a trial and error process, taking a group of strangers and making them into a video-making team. At the beginning I thought of it as mostly a creative project, but it quickly turned into a lesson in group management. Jim and I have spent a lot of time tweaking the process and getting feedback from the Lab members so that each session is a bit smoother than the last. There are a crazy amount of details to handle when you have ten weeks and seven films to make.
In the first two sessions we kept it very smallonly seven participants, so that we could beta test the process and figure out what we were doing. That first session Armando helped us to sort out a structure and also came to our table reads for feedback on our scripts.
In the third session our goal was to scale up a bit. We wanted to see if we could keep the level of engagement with a bigger group. We also wanted to add new people with different skill sets and experience levels. So far it’s been working great! It’s been both productive and friendly, and a great stretch for all of us.
The great thing about Magnet is that people come with comedy and story skills so even if someone doesn’t have any production knowledge, they still have a lot of useful feedback to give and a lot of talent to draw on.
5. What is your role?
I am part teacher, part student, part manager, part strategizer, part director, part production assistant. The first two sessions I did a lot of teaching about editing and post production, while Jim handled a lot of the shooting guidance. In our third session, people are more up to speed in those areas and we can be a little more hands off.
6. What’s the most important piece of advice you would give to comedians creating their own videos?
Is it okay if I have three? I can’t pick just one.
First, learn to edit. It’s the most time-consuming part of filmmaking and the hardest to get someone else to do well. If you learn to edit you can control the pacing and, essentially, how funny something is. It’s also the point where a lot of projects get derailed. If youre controlling that step you can make sure it gets out there.
Second, I’d say pay attention to capturing good audio. If, as a beginner, you learn that well, your videos will be 30% more credible right out of the gate.
Third, remember film is different than live. It’s pretty hard to retrofit stage pieces or improv into a watchable video. So start from scratch and write for film, at least while you’re in the beginning stages.
7. What’s your favorite internet video of all time?
Maybe this is cliché, but I’m standing by Dramatic Chipmunk. Love that guy.
Once again, thanks to Annie for all this awesome info! Don’t miss the screening of Magnet Video Lab’s third season this Sunday at 6pm. Did we mention it’s free? Because it is. See you there!