Archive for the ‘Interview’ Category

Monday February 19, 2018, 10:00am - by Promo Team

Did you know they left the word “gullible” out of the dictionary? Okay, maybe that was a fib, but luckily we sat down with Louis Kornfeld to talk about his upcoming show Fact or Fiction, where performers work off true stories from their own lives. No fibs allowed! Reserve tickets for the show, Monday, February 26 at 9:00!

What’s special about improvising from true stories?

The audience gets to know the people who are creating the show they’re watching. I think it’s more intimate. There’s less pressure to create a perfect comedy product when you can step out of a scene at any given moment and talk directly to the audience to let them know what you think about what’s going on.

What’s the craziest story you’ve ever heard at this show, or in rehearsals for the show?

I remember two or three very moving stories, but I wouldn’t be comfortable repeating them out of context.

In the Armando Diaz Experience, a monologist shares a story and then improvisers perform based off that.  How is Fact or Fiction different?

In Fact or Fiction the storyteller becomes a character in the scene. So for example, someone might step out and tell a true story about the time they got an autograph from DeForest Kelley and while they’re talking another person might join them and play Gates McFadden sitting at a convention autograph table. So now that person is telling their true story about DeForest Kelley to Gates McFadden. Any Star Trek fans reading this don’t need me to tell them what a cool scenario that is.

Are there any pitfalls to avoid when performing scenes based on real life?

Not really, other than using taste and judgement. If someone is generous enough to tell us all about a very sad thing in their life then you should know not to come out and join them with your wacky ‘guy who talks out of his butt’ character. Be a human being relating to other human beings. Good advice for any improviser, I think.

If someone tells a story that is not true, are they excommunicated from the show for life?

No, that’s silly.

 


Search for the truth at Fact or Fiction on Monday, February 26 at 9:00 at Magnet!

Wednesday February 14, 2018, 8:00am - by Promo Team

What’s more fun than your average Character Bash? Why, the Character Bash: Duo Show, of course! Double the comedians, double the characters, double the fun! Elena Skopetos and Ari Miller talk shop with us below. Reserve tickets for the show, Friday, February 16 at 7:00!

What’s special about improvising from true stories?

The audience gets to know the people who are creating the show they’re watching. I think it’s more intimate. There’s less pressure to create a perfect comedy product when you can step out of a scene at any given moment and talk directly to the audience to let them know what you think about what’s going on.

What happens in Character Bash? Is the Duo Show any different?

Character Bash is a showcase of some of the best writers and performers in NYC doing solo character monologues for the first time FOR YOU! But backstage the magic really happens as the show starts and the cast gathers to compare crock pot recipes. MmmMMmm baby, daddy loves crock pot. Each month we have a theme and this month we’re doing something pretty special: we’re performing a DUO SHOW! We’ve asked some amazing comedians to ask ANOTHER amazing comedian to perform with them. Let’s do that math real quick: one cast of amazing comedians + the cast of amazing comedians they’ve asked to join = DOUBLE the crock pot recipes! HELL YEAH!

What does performing as a character duo allow you to do that performing alone doesn’t?

Duos can be a lot of fun! Mostly because while we’re all lone wolf comedians, sometimes we like to pretend to be big happy dogs and big happy dogs like performing with friends! But big happy dogs also do not have the patience of lone hunter wolves and obviously we’re very patient vis a vis our interest crock pots, so at the end of the day, wolves we be! It’s also nice to have someone to play off of on stage and brainstorm with in the writers room. My writers room smells like a nice spicy curry.

How do you go about creating a character that is unique and memorable?

Creating a memorable character is legitimately hard, unlike the ease and simplicity of slow cookers. I tend to think you don’t aim to create a memorable character, you aim to have a fun bit. If the bit is fun enough than people will remember and if not, who cares? Either way Daddy’s getting some sweet, slow stewed beets and potatoes after his monologue. Ding dong! Who’s at the door? Why it’s a hot bowl of crock, my dear brother!

If you could form a duo with any comedian/character out there, who would it be?

If we could form a duo with any comedian it would imply that both Elena and Ari Have fused into a single entity. A super comedian. And while our power is to be sooooo funny, our weakness is our grotesque, hideous and mangled physique. So A) we’d have to do a lot of voice over. And B) I don’t know, Catdog? The point is we love characsgstetrtre bshhh. Sorry that sounded weird. My mouth was full of SOME HOT HOT CROCK POT BABYYYYYYYYYYYYYY!

Elena – What’s the stupidest thing about Ari?

The stupidest thing Ari Ever did was that one time he dropped out of Harvard to buy a bird.

Team up with Character Bash Duo Show on Friday, February 16 at 7:00 at Magnet!

Tuesday February 13, 2018, 10:00am - by Promo Team

Has your life been noticeably un-legendary lately? Are you craving an adventure beyond your wildest dreams? Then The Saga is the show for you–and we chatted with the cast to let you in on the influences behind the epic show!

What can people look forward to seeing if they come to watch The Saga?

Randy McKay: Three or more stories in which the through line that connects them deals with an element of the extraordinary and the effect that has not only on an individual and the world in the “moment” but also in generations past and future. Also entertaining object work.

Parmita Samanta: It’s like sitting in your grandma’s kitchen and having them tell a story and then a million family members interrupt it to correct something or add their perspective.

What influences does the show draw on?

Nolan Constantino: From The Epic of Gilgamesh to Jaden Smith’s tweets and everything in between.

Josh Cohen: You’re sitting on a fallen tree trunk. The breeze blows gently. The light shimmers through the woods. A faint rustling as a black bear appears. She moves towards you, timid but curious, almost bashful. You look into her eyes and you see: for all the horrors and confusions in the world, there can be tranquility, there can be peace, the kind of peace you can only call spiritual, that gives life vibrance and meaning. You offer the black bear cashews from your hand. She takes them, gently. Life finds a way, you think. You remember young Jeff Goldblum, and you smile. The Saga draws on this, and stuff from books.

What makes folklore, mythology and history good source material for improv?

Alessandra Calderín: It’s the very essence of our being. The original art form. The ways of old. The tales our ancestors told to make sense of the world. The foremost justifications. It’s the core of us. The archetypal fibers of humanity. Isn’t that what we’re trying to get to at the core of improv? To lose ourself so deeply and allow our unconscious to pull forth and built with one another a story that’s woven from the very thread of the collective? Besides, you know, making jokes and stuff.

Exactly how epic is the show?

Parker Phinney: Picture an open field. Now picture it covered in snow. No wait, the snow is just very very tiny diamonds. Now there’s a giant tree-person taller than Mount Everest marching towards the field, humming the latest Kanye West thing. No, there’s more than one. Hundreds. Quick! Turn around. It’s your whole family. Now they’re fading into nothing before your eyes. You reach out a hand. You have a hoof. You’re a centaur. Millions of fairies swoop in like locusts, shrieking the latest Kanye West thing. The camera zooms out–field, continent, planet, solar system, galaxy. The Saga is at least twice as epic as that.

If you were a character from any sci-fi/fantasy/mythological story, who would you be?

Amanda Corday: As far as fantastical characters go, I’m big on Frodo Baggins. I like to bring his essence with me onto the stage for Saga, and all improv really.

Jana Heaton: My second screen name was “Gollumslover4evrm” and I feel it very much is still the case. #4evrIs4evr.

 


Experience the extraordinary at The Saga, Monday February 19 at 7:30!

Tuesday February 6, 2018, 10:00am - by Promo Team

Do you love sitcoms? Or do you love improv? Are you tired of trying to choose between the two greatest loves of your life? Good news–the Moonlight Director’s Series is here to help! We asked director Johnathan Ross to enlighten us on the show.

This show combines improvisers with people on-book with sitcom scripts. Can you explain how the show works for those who have never seen this style of improv before?

The show is a variation on the Gravid Water form. Gravid Water takes teams and pairs fully improvising players with actors/players on a script. Sometimes the actors are off book (doing the scripts completely from memory) and other times they are on book (holding the script in hand). Script readers have some control over how they deliver a line or when they can pause or break up a line, but the improvisor never knows what’s going to be said next (unless they’ve memorized the script too, but where’s the fun in that?) Our scripts will all be from sitcoms from the 50s to the 90s.

Where did the name of the show come from?

The name comes from the music video for the Jay-Z song Moonlight, which was inspired by the closing events of the 2017 Academy Awards.

How did you come up with the idea to blend sitcoms and improv?

Like the music video of the same name I wanted to take the idea of taking well known sitcoms and showing people of color in similar roles. However because of the nature of the form we get to be even more creative within these sitcom worlds as only one person is bound to a script.

Who’s in the show and did you choose performers based on their level of sitcom fandom?

Oh we have a wonderful cast. Our full roster:

  • Laneé Shawntel Sanders
  • Essence Stewart
  • Alexis Lambright
  • Saidah Dunston
  • Erica Johnson
  • Dahlia Ramsay
  • Rama Orleans-Lindsay
  • Randy McKay
  • Michael Stevens
  • Nat Trammell

And everyone was selected solely on their sitcom fandom and nothing else haha. Here are a few of our favorites: Parks & Rec, Arrested Development, Party Down, Living Single, Family Matter, Fresh Prince, Fraiser, and Community.

What are some of the sitcom scripts you may be using?

You’ll be able to find everything from Leave it to Beaver and I Love Lucy to Friends and Seinfeld! Maybe some Growing Pains, Who’s the Boss, Three’s Company, even the Facts of Life! We’re spanning the decades from the 50s to the 90s. One thing I will add is that the audience will have a hand in picking the scripts for each show!

Will there be a laugh track?

Maybe some “woo” tracks, but this show will be filmed in front of a live studio audience ;).

 


Be on- or off-book for Moonlight, February 1, 8, 15, & 21 at 10:00 at Magnet!

Tuesday January 30, 2018, 10:00am - by Promo Team

Did you grow up feeling different? Woody Fu did too. His one-man show Asian Gracefully is about growing up Chinese-American and tackles such topics as internecine racism and how the straight Asian male is the most marginalized group on PornHub. “Asian Gracefully” began its January-February run last Thursday, and will play again February 2 and 9 at 7:00. You only have two more chances to catch the hilarity, so don’t miss out! (And, Woody wants you to know that the last show on Feb 9 has a promotion where anyone can see it for free if they say “I’m Chinese” at the door. It’s a true thing.)

How many times have you performed “Asian Gracefully” and how has it changed over its various runs?

I’ve done this show… almost 10x? It’s gone up at the Magnet, PIT, UCB and Annoyance, plus I’ve taken it on tour to comedy festivals. It’s gone through about 4 major iterations, and for each of those I gutted about 40% of the pieces and put in new guts. That’s so it doesn’t get stale and can grow. It’s changed so much in the last year and a half: it’s gone from a traditional personal one-man show, to full blast gamey-game sketch show, to a weird mishmash of unrelated bits. I think this most recent one is the most cohesive and satisfying one. It’s certainly the most… Asian?

In taking the show from a half-hour to a full hour, it looks like you added some other cast members. Does that mean you’ll only be playing yourself, or will you explore other characters as well?

I play myself and a variety of characters in the show. It’s true there are a bunch of special guests, but you gotta see the show to find out what they do! They’re mostly… Asian?

Did your experience with improv and musical improv affect your creative process for “Asian Gracefully”?

Yes and no. Improv is 100% surprise. But writing is such a solitary act and it’s basically impossible to surprise yourself. There’s a little room for improv when putting sketches on their feet with directors but for the most part I keep the two disciplines separate. I think in binary: everything’s yellow and white. Maybe because I’m… Asian?

You’re a DJ and a game designer–do we get to see you use those skills in the show?

Barely!

Is there anything the audience should know ahead of time?

Go to the show with an Asian friend. But first make sure they’re… Asian?

Don’t miss out on Asian Gracefully, Friday February 2 and/or 9 at Magnet!

Wednesday January 17, 2018, 8:06am - by Promo Team

Did you enjoy Role Playing Games and Choose Your Own Adventure books as a kid? Or as an adult? If you said yes to either of those questions, You Will Die More Than Once is the perfect show for you. Hitting the Magnet stage on January 22nd, this show puts the audience in control of deciding the fate of its characters! We spoke with the show’s Dungeon Masters/creators Caitlin Steitzer, Carly Monardo, and Ali Fisher to learn more about this one of a kind show!

This show is structured like a choose your own adventure story. How did you come up with this format?

Ali: I want to say about a year ago Carly and I were having coffee and generally being fabulous creeps and we realized it’d been a while since we’d performed as Women-Shaped Holes In Hedges, our duo show that’s all about creating and populating absurd speculative worlds. In a moment of overcaffeinated excitement Carly said something like, we should invite a bunch more people to be in this show! I know it was Carly because she’s brilliant and community-minded like that. If there’s good stuff going on, her instinct is to share. We ended up coming around to the idea of creating a whole new show, but we wanted it to be just as focused on outlandish wordbuilding and character-driven action.

Carly: At around the same time I think we were both working with The Cast on how to bring our audiences into the fold a bit more; when you’ve been doing improv for a long time it can be easy to forget that the audience isn’t starting on the same page as you. I still remember how lost I was seeing a Harold for the first time. I think it’s so much more enjoyable when the people on and off stage are working from the same clean slate and discovering things simultaneously. A chooseable path format, where the audience can also help build the show, felt really exciting to me!

Ali: Hell yeah. The interactive fiction-style structure was a perfect fit. And then, having worked with Caitlin on her RPG-inspired Dragons & Dungeons show, I knew she’d not only get what we were about with this, but build it into something even better.

Caitlin: Y’all are too sweet. I was super-pumped at the idea for this show because A) I agree with Ali and Carly that it’s important to recognize that some people who come to improv shows are just from off the street and want to have fun, and that’s great and B) I’ve always loved choose your own adventure books and it’s been a long-time dream of mine to create a show that incorporates those elements.

What were you looking for in casting this show?

Carly: I wanted people whose comedic sensibilities I really love. I think everyone in this show has a distinct voice and makes big choices. That’s key!

Ali: Ideally these shows will take the performers pretty far away from their day-to-day reality and person, so we picked people who we know are going to be comfortable and excited about getting weird. We also needed really good listeners. Not only to build on each other’s absurd ideas, but also the audience’s.

Caitlin:Ditto ditto ditto! Also I think everyone in the cast is SUPER hot.

Were you a fan of Choose Your Own Adventure books as a kid? If so, what was your favorite?

Carly: Ha ha, NO! I loved reading as a kid, but not these! I was a goody toe-shoes and a nerd, so being punished by a book for making the wrong choices was not appealing to me! I see it as more of a challenge now, but I’m still the kind of person that has like 10 save files when she plays an RPG so she knows she’s going “the right way”.

Ali: Same here. I hated them. I have a massive fear of failure and those books are failure minefields by design. But I think that’s exactly what is going to make this format so great on stage–no one’s alone with the fate of the story. It’s shared experience between the performers and the audience. We’re all in it together.

Caitlin: Whoa, Ali and Carly, you were incorrect as children! These books were and still are GREAT! I had a super over-active imagination and so whatever movie or comic book I was obsessed with at the time, I would always write myself in and create these elaborate daydreams. Choose Your Own Adventure books where just a different version of that. And I also had a fear of failure, but I LOVED the books, because if I messed up, I just went back and turned to a different page.

If you could choose any fantasy creature to do an improv scene with, what would it be and why?

Carly: I’m really obsessed with the folklore of “familiars”: spirits or demons (often in the form of animals) that attend witches and other magical beings. They have a really close bond with the individual they serve; I always joke that my dog is my familiar. A magical version of my dog!

Ali: I’m thinking a garden gnome. They’d be so stoked and fun to match. Or maybe the Grim Reaper because they’ve seen some stuff.

Caitlin: Can we choose comic book characters? Because Death from Neil Gaiman’s “The Sandman” comics was my hero growing up, and I’d want to do improv with her. And she’s VERY different from Ali’s Grim Reaper, so I’m not just stealing Ali’s answer here.

Who would you most like to see this show?

Carly: I want people who are totally new to improv to see this show! I want it to inspire them to seek out more improv and live theater in general.

Ali: Everybody.

Caitlin: Everybody and their best friend.


Choose your own adventure to the Magnet stage for You Will Die More Than Once, Monday Jan 22nd at Magnet!

Tuesday January 16, 2018, 10:05am - by Promo Team

William Shakespeare once wrote that “a quart of ale is a dish for a king.” Few could agree with him more than Hayley Karl and Ally Gold, the creators of BEER, PERIOD, and the show’s director, Christopher Hastings. BEER, PERIOD is Magnet’s brand new show dedicated to the world’s greatest beverage. We spoke with Hayley, Ally, and Chris about the intense love of beer fueling their upcoming show on January 19th!

 Is there an objectively agreed upon best beer? If so, what is it?

CHRIS: There was only one objectively agreed upon best beer, and it was called “Whatever Beer I Can Thank God I Have Been Able To Find And Put In My Mouth” and it was the entire United States’s favorite beer from 1920 to 1933. In the years since, the country has re-divided it’s opinion on the subject.

HAYLEY: I mean, PLINY THE ELDER (Obviously, obviously) is the greatest beer of all time. I’ve never had one, but hopefully will before I die which hopefully means I have plenty of time. Anyways, right now, without question the best beer is LITERALLY ANYTHING by Other Half Brewery. It is the nectar of the gods and I quiver in it’s presence.

ALLY: Any beautiful beer liquid gently floating down my throat hole, is at that moment in time and space, the best beer. HOWEVER, if you want a name, Heady Topper is at the top of all the charts right now. And charts don’t lie.

HAYLEY: Ally is WRONG but we are in therapy working through it.

Can someone who doesn’t like beer still enjoy your show?

CHRIS: I mean there’s still chairs that people can sit in during the show. Everyone likes to sit down a spell.

HAYLEY: Deep down, everyone loves beer, and I hope that this show brings that truth to light for all. So, yes…

ALLY: Wait… have they just never tried beer? If not, then they will DEF have fun. Lives are about to change.

What’s the one thing someone should never, ever say to a beer enthusiast?

CHRIS: “Oh you like beer? That reminds me, I made a nice beer braised sausage dish the other day. What was the beer I used? Oh yeah! It was called Heady Topper. I didn’t actually need that much to cook with though. Gave the rest to the dog. He loved it.”

HAYLEY: “Have you had Pliney the Elder yet?” Like, don’t remind me, you know?

ALLY: “Wake up. I’ve sewn your mouth shut.”

Why is beer such a big part of the comedy scene?

CHRIS: Trying to be funny for a crowd is terrifying, and alcohol melts fear. Only melt fear in moderation, everyone.

HAYLEY: The best beer pairing is with laughter.

ALLY: Beer is a big part of everything; comedians just know how to utilize its power.

Who drinks more, comedians or comic book artists?

CHRIS: Comedians LOVE beer and so do cartoonists, but I think the difference is that cartoonists will drink ANYTHING.

HAYLEY: I am gonna default to Chris on this one.

ALLY: Can’t beat that Chris answer.


Raise your glass to BEER, PERIOD Friday January 19th at Magnet

Monday January 15, 2018, 3:49pm - by Promo Team

If you love a good musical number, you will be OVERWHELMED WITH JOY seeing The Magnet Musical Sketch Show on January 19th! For a behind the scenes look, we spoke with Lane Kwederis, a superstar performer for Public Pool and The Executives, and the director of this awesome new show.

What comes first, the sketches or the music?

Pretty much all of the sketches in this show are song parodies. That means that they all use music that already exists but with new lyrics. The music definitely came first (since it was written by another human ahead of time) but the writers came up with their ideas for the sketch and either selected a song that would be perfect for their idea or the song itself inspired them.

Are the sketches for this show written first, or devised through musical improv?

All of the sketches were written first by Liz Haag, Sara Kalkstein, Michael Delisle, Michael McLarnon, and Matt Alspaugh. Though we do have many amazing musical improvisers in the cast (Ali Reed, Amy Charowsky, Alexis Field, Gina Cucci, Brian Hansbury, Brian Rodriguez, Brendan Goggins, and Michael Delisle) there weren’t really any musical improv elements involved with the writing of the sketch. The cast’s skills came in especially handy though when putting the sketches on their feet. The great thing about musical improvisers is that they can create awesome harmonies, funny bits, and even killer choreography right there on the spot. It was really great getting to blend the sketch world with the musical improv world. They go together really really well.

What is your all time favorite musical sketch?

Oh man. There are so many good ones to choose from! I would say one of my favorites was one I got to perform with The Executives. It’s called “Dolores and the Secrettes” and it was written by Elena Skopetos. You can watch it here.

If you could cast any famous musician in this show, who would it be and what would you make them do?

I think it’s time for Beyoncé to get on the Magnet stage and use her glorious voice to sing about her farty butt.

How can fans get involved in musical sketch comedy?

Write more musical sketches! They’re so fun! Take a musical improv class! They’re also so fun! The Magnet Musical Sketch Show will actually be paired with another musical sketch show too! The Executives will be performing a musical that will take place entirely in a Panera Bread so it will be a two for one deal on musical sketch shows!


Raise your voice for the Magnet Musical Sketch Show this Friday, January 19th at Magnet!

Tuesday August 1, 2017, 9:00pm - by Promo Team

Junior Varsity’s Jarret Berenstein is releasing his first book, The Kellyanne Conway Technique: Perfecting the Ancient Art of Delivering Half-Truths, Fake News, and Obfuscation– With A Smile, this August from Racehorse Publishing. He’s celebrating its launch with a show at Magnet and some of his favorite stand-up comedians. We sat down with Jarret to talk about his Kellyanne, his book, and the upcoming release show August 7th.

MAGNET: What about Kellyanne Conway did you find particularly interesting while you were writing this book?

JB: Before writing this book I assumed that people needed at least some integrity to survive. I thought it was like food or oxygen, and that a person with zero integrity would shrivel up and dry out like a desert grape. Kellyanne appears to be living sans integrity though, and that’s pretty interesting. And worrisome!

M: Which part of the process in making this book was the most fun?
JB: Definitely writing the “everyday life” examples. In the book, I talk about how we can use Kellyanne’s brand of spin get out of tight spots in our everyday life, so coming up with those types of problems (speeding ticket, late for work, double murder, etc) and then translating a Kellyanne move to fit that situation was really fun.

M: Why do you think a book, in particular, is a great medium for this kind of humor?
JB: I’ve seen a lot of articles and videos online about what Kellyanne does and why it’s effective, but they mostly just scratch the surface. You need to have the full length of a book to go through all the different types of Conway nonsense and also have the space to thoroughly make fun of each of them.

M: If you had to boil down the essence of Kellyanne and her technique down to 3 words, what would they be?
JB: Overflowing with bullshit.

M: Who is this book perfect for? Who is this book totally NOT for?
JB: I think the book is perfect for everyone! Even if you’re more conservative, I think anyone can appreciate what’s silly about Kellyanne.

M: Tell us a little about your book release show!
JB: The show is on Monday, August 7th at 7:30 pm at the Magnet. It’s gonna feature some great standups like Seaton Smith (from Fox’s Mulaney) and Liza Treyger (incredible comic with one of the best Comedy Central Half Hour specials I’ve ever seen), and possibly a short reading from the book! There’s talk of the publisher bringing free beer and a copy of the book for people in the audience (while supplies last) but don’t hold me to that.

Don’t miss Jarret’s book release show August 7th, 7:30 pm at Magnet! You can pre-order his book now on Amazon.

Friday June 30, 2017, 10:00am - by Magnet Theater

We talk with Magnet co-founder Ed Herbstman about working with producer Judd Apatow on “The Big Sick”

Magnet co-founder and actor, Ed Herbstman, plays Sam Highsmith in one of this summer’s most anticipated comedies, “The Big Sick,” starring Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Aidy Bryant, Bo Burnham, Kurt Braunohler, and David Alan Grier. Directed by Michael Showalter, “The Big Sick” is produced by the legendary comedy writer/director/producer Judd Apatow. In this very special feature, we sit down with Ed for the inside scoop on working with Judd Apatow!

MAGNET: So, what was it like to work with comedy powerhouse Judd Apatow?

EH: I don’t know. I didn’t actually work with him. He was the producer.

M: As a producer, was Judd fun to work with?

EH: He wasn’t there. Michael Showalter directed it. He was great.

M: We’ve always heard that Judd is really a blast on set. Was that your experience?

EH: I’ve heard that too. But again, Judd Apatow wasn’t on set any of the days I worked. Kumail Nanjiani was there, and so was his wife and co-writer Emily V. Gordon. They were great. Funny, warm, playful – truly some of the kindest people I’ve ever worked with.

M: Yes! Of course. This is really Kumail and Emily’s project. And as a producer, Judd Apatow must have his fingerprints all over it.

EH: I can’t really speak to that. I can tell you that my favorite part was improvising with Kumail, Bo Burnham, Aidy Bryant and Kurt Braunohler. Showalter really let us play. I play Sam Highsmith, a stand-up comic who–

M: Is Judd Apatow a good dad?

EH: What?

M: Judd Apatow?

EH: That’s not a question.

M: Knocked Up.

EH: We done?

M: Bye!

Thanks so much to Ed Herbstman for sitting down with us to provide an inside look into what it’s like to work with big time Hollywood producer Judd Apatow. Go see “The Big Sick” in theaters now!

 

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